photograph bicycle (19 resultados)

No Binding. Condición: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condición: Very Good. 1st Edition. This is one of a selection of Photographs for sale, mostly from the Berlin Wintergarten in the 1930's.

No Binding. Condición: Very Good. 1st Edition. This is one of a selection of Photographs for sale, mostly from the Berlin Wintergarten in the 1930's.

Condición: Good Condition.

6.5 x 4.25". Unusually clean, very good condition. The woman is wearing a dark dress down to her ankles with a large lace collar over her shoulders, and a tam with two feathers. The ribbon on the handlebars is narrow with a fringed end, possibly an award. Unfortunately, bike manufacturer's name is not visible. Very attractive.

Paperback. Condición: Very Good. 7.5 x 5.5" with mount, mount is a little rubbed but photo is very very sharp. Purported to be of a west coast bicycler named Ralph Hamlin, but we have not found evidence to substantiate.

Half Leather. Condición: Good. 1st Edition. Unfortunately, with no captions or date, either late Victorian or Early Edwardian family photographs album. The house appears to be a French Chateau, and appears to be a wealthy English family, with some very nicely taken photographs. 24 in total, the album measures 8.5 niches by 7 inches approx., the photos measure 6 inches by 4 inches approx. The half leather bound album is in a very worn state, lacking spine covering, contents loosened, else all contents are pictured so condition can be seen.

Condición: Fine. RUA15201985.

Mounted silver gel photograph likely taken in the early 20th century. Mount measures 4 ¾ x 5 ¾ inches and photograph measures 2 ¼ x 4 inches. Previous owner has written on verso in pencil, "Miss Myrtle Rowan 743 Brooklyn Ave Detroit." Mount has light toning and pin holes in the top corners; photograph is off center on the mount. Overall very good condition. This photograph depicts a young woman atop a bicycle in front of a house (likely in Detroit). She wears a bicycling suit with puffed sleeves and a prim little hat.

Vintage reference photograph from the 1971 film, showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Ca 1870s / 1880s. 6" x 4-1/4" Image clear & sharp. Under raking light, surface shows some crazing. Very Good. Now housed in an archival mylar sleeve.

Original photograph album containing 25 original silver print photographs. Photographs measure 3 5/8 x 4 5/8 inches. Original black leatherette album contains 18 of the 25, all in sleeves in album. 7 are loose. Front cover has fallen off Very good.A cheerful album with 25 photographs illustrating the distribution office of the iconic Rollfast bicycle. With a glimpse into post-war American prosperity, the album includes images of genial employees proudly posing both on the sales floor and in the back offices of a D.P. Harris Manufacturing Co. distribution facility of their most popular bicycle brand, Rollfast. Featured are some of the brand's best-selling models, including the Black Beauty, the Royal Special #50, and a classic step-through frame."Rollfast bicycles have a long and complex history that has close ties with two different companies. The D.P. Harris Hardware and Manufacturing Company originated the name in the 1890?s, and later teamed up with the H.P. Snyder Manufacturing Company in the early 1900?s. Snyder was the primary manufacturer of the bicycles, while Harris provided some of the parts and marketed them. During the Great Depression, Snyder began manufacturing bicycles for other retailers such as Montgomery Ward who sold them under the Hawthorne name. Some sought after Snyder built Rollfast bicycles are the V-200 model and the Hopalong Cassidy bicycles. Snyder built Rollfast bicycles well into the 1970?s. ".

[Adelaide, Unknown Photographer], 1894. An original gelatin silver photograph (visible image size 395 × 540 mm), mounted, with a captioned mat, and behind glass with gilt fillets in a vintage carved wooden frame (external dimensions 645 × 800 mm, with a metal title-label screwed to the front of the top edge). The photograph is a little silvered-out and lightly foxed; the mount has slight surface loss to silverfish and a few tiny marks; gilt fillets a little chipped; the frame is a little rubbed; overall, an impressive presentation. The members of the club are posed in a studio setting behind two bicycles (lying down with front wheels crossed, the club flag draped over them). All 31 of those featured in the photograph are identified: not least are J. Michie MB (Honorary Surgeon), and Rev. J. Sunter BA (Vice-President). The Fauser family are well-represented: there's J. Fauser (Vice-Captain), U. Fauser, and his wife, Mrs U. Fauser. She is front and centre behind the bikes, along with Miss E.A. Manners, resplendent in their smart leather riding gloves.

Photograph. Condición: Fair. Format is approximately 5.25 inches by 8.5 inches for the backing and the image is approximately 4.5 inches by 7 inches. Format is a card backing with photograph affixed to it. Photograph is partially faded and chipped and scuffed. Ink notation on the back reads "Col. B. R. Ross ." Some wear and soiling front and back. An expert in bicycles might be able to identify the model and then estimate the time frame of the picture more closely. It may also be possible to identify some of the houses in the background or the lane the Col. and his bicycle are on, assuming that this was taken in the Washington, DC metropolitan area. Colonel Burton R. Ross, (1845-1913) was a military instructor of the High School Cadet Regiment for 26 years . Col. Ross was for many years connected with the District of Columbia National Guard. He was at one time Lieutenant Colonel of the First Regiment. He was mentioned and commended in official Federal Government reports, primarily for his contributions to the design and conduct of military training and exercises held within the District of Columbia. There is no information as to the photographer or date, but based upon uniform and the notation on the back, it has been estimated to have been taken in the first few years of the 20th century. From its earliest days, the D.C. National Guard has remained ready to accept the call to protect the United States, participating in the Creek War, Seminole Wars and Spanish-American War. In 1898, the D.C's 1st Volunteer Infantry fought alongside the United States Volunteers during the War, where they earned credit for the Santiago Campaign. The 1st DC Volunteer Infantry was commanded by George Herbert Harries, who left his position as commander of the DC National Guard and accepted reduction in rank to colonel so he could lead the regiment in Cuba. Presumed to be a unique copy, but could be one of multiple originals.

No Binding. Condición: Very Good. [Born 1967 Tel Aviv. Lives and works in Copenhagen] image: 11 1/8 x 7 5/8 in. (28.3 x 19.5 cm). paper: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Circa 1997-1998. Original electrostatic pigment print (color photocopy). A vivid and rich print with margins. Pinholes in each corner date to initial installation. Numerous minor handling creases throughout visible under close inspection in raking light. Faint age toning. Overall in excellent condition. Possibly a unique work. Provenance: Beret International, Chicago USA (one of numerous venues presenting "Bicycle Thieves" (1998) curated by Jacob Fabricius (Copenhagen), Michelle Grabner & Brad Killam (Chicago) and Lars Bang Larsen (Copenhagen) taking place in Chicago, IL and Milwaukee, WI in cooperation with the Danish Contemporary Art Foundation. Inquiries welcomed.

Framed. Condición: Very Good. No Jacket. Frame: 63 x 57 cm. Photo: 38 x 38 cm. Limited edition of 25 of which this is number 3. In pencil at bottom right of mat is the artist's signature and the number: [?][K?]eilweil 3/25.