One line specimens linotype faces (38 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: Good. [Typography] Softcover. Library stamps and markings. Shelf wear.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New.

Condición: New.

limp boards. small 4to. limp boards. xii, 229, (3) pages. Spine soiled, else a near fine copy. Type Specimens (ilustrador).

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. Quarto, 229 pages. Firm binding; no loose pages. Book and cover with minor wear. Creased cover and slightly tanned pages.

XIV + 2 + 229 + 3 S. OPp. In engl. Sprache. - Exlibris a. V., etw. bestossen, leichte Gbrsp. - Bookplate on first leaf, some signs of use, slightly bruised.

Paperback. Condición: New. Print on Demand. This book elegantly and meticulously explores typefaces, with a special focus on display fonts of the 19th and 20th centuries. The author presents a detailed examination of popular typefaces like Bodoni, Century Expanded, Cheltenham, De Vinne, Scotch, and many others. Each font's development is explored within the context of the Industrial Revolution and the rapid expansion of advertising and mass media. The book also explores the challenges and innovations that occurred in transforming type design from a manual to a largely automated process. An array of high-quality examples depict the evolution and application of various typefaces. This book provides typographers, graphic designers, and historians with valuable insights into the evolution of type design, furthering their understanding of its influence on visual communication. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Condición: New.

Softbound. Condición: Very Good. Square royal octavo, clear plastic comb binding, 68, 148 pp. Two books bound in one. The first part is half the width of the second half which gives the sections distinctive appearances.

Soft cover. Condición: Fine. 1st Edition. Decorative borders in blue, stapled into buff wrappers. A fine copy. To be used in conjunction with "Linotype Faces, One-Line Specimens, 1923".

Soft cover. Condición: Good. No Jacket. xvi, 291 p. : ill. ; 27 cm. ; LCCN: 58-3003 ; LC: Z253; Dewey: 655.28 ; OCLC: 3723703 ; Includes index./ Index to faces -- Linotype faces, text, and display -- Two-letter display matrices -- Teletypesetter unit matrices -- Standard alignments -- Miscellaneous figures -- Miscellaneous fractions -- Accented and reference characters -- Phonetic characters -- Superior and inferior characters and figures -- Leaders -- Typographic refinements -- Decorative material -- Keyboard diagrams -- Font schemes -- Copy-fitting method and tables. ; red flexible covers ; no dustjacket ; creases to covers ; slight foxing to edges, cloth spine much worn, else G. Book.…

hardcover. Condición: Very Good. "Compiled September, 1923" - Volume rilegato in tela editoriale, 154 pagine, testo incorniciato. Sporadiche segnature con matita blu, leggeri segni d'uso alla copertina; nel complesso esemplare in ottimo stato di un'edizione non comune. Book.

Hardcover. Condición: Very Good+. No Dust Jacket. Original cloth, patterned endpages. Minor soil/wear to cloth, edges slightly soiled, points lightly bumped. ; 8vo 8" - 9" tall.

Hardcover. Condición: Good. 130 pages. In the original cloth binding which has some light marks. No front free end paper, but seems to be as issued. Light browning to the pastedowns and adjoining pages.

Hardcover. 4to. pp. 220. numerous type examples. cloth (spine faded & little frayed at ends). publisher's blurb laid in.

Leatherbound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 208. A perfect gift for your loved ones. Reprinted from 1914 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 208.…

2. Brooklyn, (1950), in-4°, 229 pp, original limp boards. Type specimen catalogue.

London, Linotype and Machinery Ltd, 1923 e 1928. 2 voll. in-4° (27 x 19), di pp. 155 e pp. 24. Il primo vol. in tela editoriale stampata (piatti macchiati), il secondo in cartonatura editoriale. Qualche traccia d'uso, ma buoni es.(9590) Sono qui riuniti il campionario dei caratteri in linotipia del 1923, ed il supplemento del 1928 ("This Supplement shoulkd be used in conjunction with Linotype Faces, One-Line Specimens, 1923") della celebre azienda londinese "Linotype and Machinery Ltd.", nota anche con la sigla "L&M", all'epoca dominante sul mercato europeo. La "Linotype Company" (azienda tuttora esistente) nacque nel 1899, per iniziativa dell'editore Joseph Lawrence, che aprì diversi stabilimenti in Inghilterra (il più importante era quello di Manchester), e si unì poi alla "Machinery Trust Ltd", unificando le due denominazioni, con filiali in tutto l'impero coloniale britannico. Cavalcando la rivoluzione della Linotipia, arrivò alla cifra record di 30.000 macchine vendute allo vigilia dello scoppio della Grande Guerra. La prima e la seconda guerra mondiale (come avvenne in Italia per la Nebiolo) obbligarone le aziende a riconvertirsi transitoriamente alla produzione bellica, e questo catalogo è una delle testimonianze della ripresa dell'attività negli anni Venti.…

London, Linotype and Machinery Ltd, 1923 e 1928. 2 voll. in-4° (27 x 19), di pp. 155 e pp. 24. Il primo vol. in tela editoriale stampata (piatti macchiati), il secondo in cartonatura editoriale. Qualche traccia d'uso, ma buoni es.(9590) Sono qui riuniti il campionario dei caratteri in linotipia del 1923, ed il supplemento del 1928 ("This Supplement shoulkd be used in conjunction with Linotype Faces, One-Line Specimens, 1923") della celebre azienda londinese "Linotype and Machinery Ltd.", nota anche con la sigla "L&M", all'epoca dominante sul mercato europeo. La "Linotype Company" (azienda tuttora esistente) nacque nel 1899, per iniziativa dell'editore Joseph Lawrence, che aprì diversi stabilimenti in Inghilterra (il più importante era quello di Manchester), e si unì poi alla "Machinery Trust Ltd", unificando le due denominazioni, con filiali in tutto l'impero coloniale britannico. Cavalcando la rivoluzione della Linotipia, arrivò alla cifra record di 30.000 macchine vendute allo vigilia dello scoppio della Grande Guerra. La prima e la seconda guerra mondiale (come avvenne in Italia per la Nebiolo) obbligarone le aziende a riconvertirsi transitoriamente alla produzione bellica, e questo catalogo è una delle testimonianze della ripresa dell'attività negli anni Venti.…