norm form de gombrich ernst (38 resultados)

paperback. Condición: Fair.

Paperback. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. 3rd. viii, 168 pages, [72] leaves of plates, illustrations; 19 cm. Studies in the Art of the Renaissance, I. Tight, clean copy. Browning. With 186 illustrations. Size: 12mo.

Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Third Edition. Very Good+ to Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; mildest rubbing; the price has been removed from the rear panel; the former owner's name is inscribed at the top of the front endpaper; the wrapper covers are lightly toned. Binding square and secure; text clean. Despite a number of minor flaws, this book still appears close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 12mo. 168pp. Plus a large section of slick-paper plates containing 186 images in black & white. Third Edition. Trade Paperback. Norm and Form is the first volume of E.H. Gombrich's highly influential collected contributions to the study of Renaissance art and thought. Its 11 essays deal with some of the most fundamental questions of style, patronage, taste, working methods and theories of art, presented with the author's customary learning and lucidity. Required reading for all students of the Renaissance, these essays are sure to be enjoyed by all who wish to deepen their understanding of one of the most creative periods of Western art.

Softcover. with 186 illustrations. xii, 164, Figures 1-186 pp. Softcover. LCC: 8428113 Good condition; pages show some warping and light fading.

paperback. Condición: Good. Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0714814946.

Paperback. Condición: Near Fine. Third Edition. Studies In The Art Of The Renaissance; 8vo 8" - 9" tall.

Paperback. Condición: Good. Light wear to the covers and some foxing to the tanned page edges. Shipped from the UK in recyclable card packaging.

Soft cover. Condición: Fine. No Jacket. 2nd Edition. Book softcover pp308, + 186 b&w ills. Condition Marred only by light dust dulling on edges.

8° , Broschur. 168 Seiten, zahlreiche Tafeln. Einband, Ecken und Kanten etwas berieben, Seiten insgesamt nachgedunkelt, am Schnitt sind leichte Lagerspuren, zahlreiche Bleistiftbemerkungen im laufenden Text, Besitzvermerk auf dem Vorsatz, sonst ist das Buch in einem guten Zustand. 9780714818320 Sprache: Englisch Gewicht in Gramm: 750.

Originalbroschur. Condición: Gut. 164 S., 186 Abb. auf Tafeln. Einband leicht berieben. - The Renaissance Conception of Artistic Progress and its Consequences -- Apollonio di Giovanni: A Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and Golden Age -- The Early Medici as Patrons of Art -- Leonardo's Method for Working out Compositions -- Raphael's Madonna della Sedia -- Norm and Form: The Stylistic Categories of Art History and their Origins in Renaissance Ideals -- Mannerism: The Historiographic Background -- The Renaissance Theory of Art and the Rise of Landscape -- The Style alVantica'. Imitation and Assimilation -- Reynolds's Theory and Practice of Imitation. ISBN 9780714823805 Sprache: Englisch Gewicht in Gramm: 550.

Second Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: viii, 308 pages: ill. Subjects: Art, Renaissance History. Art, Italian History. Art, Italian 15th century. Art, Italian 16th century. 1 Kg.

Paperback. Condición: Gut. XII, 164 p.: Ill. Einband etwas angeschmutzt, 3 Seiten weisen handschriftliche Anstreichungen und Anmerkungen auf, sonst ein gutes Exemplar / Binding a bit soiled, 3 pages have handwritten markings and annotations, otherwise a good copy. - The Renaissance Conception of Artistic Progress and its Consequences -- Apollonio di Giovanni: A Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and Golden Age -- The Early Medici as Patrons of Art -- Leonardo's Method for Working out Compositions -- Raphael's Madonna della Sedia -- Norm and Form: The Stylistic Categories of Art History and their Origins in Renaissance Ideals -- Mannerism: The Historiographic Background -- The Renaissance Theory of Art and the Rise of Landscape -- The Style alVantica'. Imitation and Assimilation -- Reynolds's Theory and Practice of Imitation. ISBN 9780714823805 Sprache: Englisch Gewicht in Gramm: 550.

Second Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: viii, 308 pages: ill. Subjects: Art, Renaissance History. Art, Italian History. Art, Italian 15th century. Art, Italian 16th century. 1 Kg.

Condición: new.

1st edition. Near fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Physical description; 167 pp., plates (186 illustrations), 26 cm. Notes; Includes bibliographical references. Contents; Preface -- The Renaissance conception of artistic progress and its consequences -- Apollonio di Giovanni: a Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and golden age -- The early Medici as patrons of art -- Leonardo's method for working out compositions -- Raphael's Madonna della Sedia -- Norm and form: the stylistic categories of art history and their origins in Renaissance ideals -- Mannerism: the historiographic background -- The Renaissance theory of art and the rise of landscape -- The style all'antica: imitation and assimilation -- Reynolds's theory and practice of imitation. Subjects; Geschichte 1500-1600. Art, Renaissance Italy. Composition (Art). 1 Kg.

1st edition. Near fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Physical description; 167 pp., plates (186 illustrations), 26 cm. Notes; Includes bibliographical references. Contents; Preface -- The Renaissance conception of artistic progress and its consequences -- Apollonio di Giovanni: a Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and golden age -- The early Medici as patrons of art -- Leonardo's method for working out compositions -- Raphael's Madonna della Sedia -- Norm and form: the stylistic categories of art history and their origins in Renaissance ideals -- Mannerism: the historiographic background -- The Renaissance theory of art and the rise of landscape -- The style all'antica: imitation and assimilation -- Reynolds's theory and practice of imitation. Subjects; Geschichte 1500-1600. Art, Renaissance Italy. Composition (Art). 1 Kg.

Condición: MOLTO BUONO. London, Phaidon cm.15,5x21,5, pp.VIII,155, 186 ill.in tavv.bn.ft. brossura, sopraccoperta figurata a colori. Second edition.

1st edition. Fine cloth copy in a very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; viii, 167 pages plates (186 illustrations) 26 cm. Notes; Includes bibliographical references. Contents; Preface -- The Renaissance conception of artistic progress and its consequences -- Apollonio di Giovanni: a Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and golden age -- The early Medici as patrons of art -- Leonardo's method for working out compositions -- Raphael's Madonna della Sedia -- Norm and form: the stylistic categories of art history and their origins in Renaissance ideals -- Mannerism: the historiographic background -- The Renaissance theory of art and the rise of landscape -- The style all'antica: imitation and assimilation -- Reynolds's theory and practice of imitation. Subjects; Art - Geschichte 1500-1600. Art, Renaissance Italy. Art, Italian. Composition (Art). Composition (Art). composition (artistic arrangement). Art, Renaissance. Italy. 1 Kg.

1st edition. Fine cloth copy in a very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; viii, 167 pages plates (186 illustrations) 26 cm. Notes; Includes bibliographical references. Contents; Preface -- The Renaissance conception of artistic progress and its consequences -- Apollonio di Giovanni: a Florentine cassone workshop seen through the eyes of a humanist poet -- Renaissance and golden age -- The early Medici as patrons of art -- Leonardo's method for working out compositions -- Raphael's Madonna della Sedia -- Norm and form: the stylistic categories of art history and their origins in Renaissance ideals -- Mannerism: the historiographic background -- The Renaissance theory of art and the rise of landscape -- The style all'antica: imitation and assimilation -- Reynolds's theory and practice of imitation. Subjects; Art - Geschichte 1500-1600. Art, Renaissance Italy. Art, Italian. Composition (Art). Composition (Art). composition (artistic arrangement). Art, Renaissance. Italy. 1 Kg.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: Gut. 208 S., 186 Abb. Umschlag leicht berieben, sonst gutes Exemplar. - Der Fortschrittsgedanke im Kunstleben der Renaissance -- Apollonio di Giovanni und ein humanistisches Zeugnis über eine Florentiner Cassonewerkstatt -- Die Renaissance und das Goldene Zeitalter -- Die Medici als Kunstmäzene -- Ein Überblick über die Zeugnisse des 15. Jahrhunderts -- Die Kompositionsmethode Leonardos -- Raffaels Madonna della Sedia -- Norm und Form -- Die Stilkategorien der Kunstgeschichte und ihr Ursprung in den Idealen der Renaissance -- Die Historiographie des Manierismus -- Der geschichtliche Hintergrund -- Die Kunsttheorie der Renaissance und die Entstehung der Landschaftsmalerei -- Der Stil all'antica: Imitieren und Assimilieren -- Theorie und Praxis der Nachahmung bei Sir Joshua Reynolds. ISBN 9783608761467 Sprache: Deutsch Gewicht in Gramm: 874 Originalleinen mit Schutzumschlag.

DEA, 208 S., OLwd. m. OU., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

208 Seiten, 144 Tafelseiten, Mit 186 s/w Abbildungen auf 144 Tafelseiten, bibliografischen Notizen und Personenregister. Gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 903 Original-Leinen, Original-Schutzumschlag, 18x24cm, Zustand: 2 Vom Autor durchgesehene deutsche Fassung.