mikio naruse (63 resultados)

Paperback. Condición: Very Good. Staplebound magazine with glossy covers. Very Good with light wear to covers and no marks to text. Film Studies; 8vo 8" - 9" tall; 66 pages.

Condición: New.

Paperback or Softback. Condición: New. The Cinema of Naruse Mikio: Women and Japanese Modernity. Book.

Condición: New.

Paperback. Condición: New. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were "women's films." They had female protagonists, and they depicted women's passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as "feminist," his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse's cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse's movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were "women's films." They had female protagonists, and they depicted women's passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as "feminist," his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse's cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse's movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

Paperback. Condición: New.

Condición: New. In.

Condición: New. One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. This book illuminates Naruse's contributions to Japanese and world cinema. Num Pages: 488 pages, 66 b&w photographs. BIC Classification: 1FPJ; 3JJG; 3JJH; 3JJPG; APFB; JFSJ1. Category: (U) Tertiary Education (US: College). Dimension: 157 x 235 x 35. Weight in Grams: 862. . 2008. Illustrated. Paperback. . . . .

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Neuf.

Tankobon Hardcover. Condición: Brand New. Japanese language. 7.40x5.12x0.94 inches. In Stock.

Condición: New. One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. This book illuminates Naruse's contributions to Japanese and world cinema. Num Pages: 488 pages, 66 b&w photographs. BIC Classification: 1FPJ; 3JJG; 3JJH; 3JJPG; APFB; JFSJ1. Category: (U) Tertiary Education (US: College). Dimension: 157 x 235 x 35. Weight in Grams: 862. . 2008. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Softcover. Condición: Gut. ISBN: 9780822343127 - Softcover in good condition - delivery 2008 - book with illustrations and 4656 pages - Index English Literature.

Condición: New. pp. 488 Index.

Paperback. Condición: Brand New. 465 pages. 9.25x6.00x1.25 inches. In Stock.

Condición: NEW.

État de NEUF / New condition 000-162873 '9782866422837 03/05/2006 Auteurs Broché.

Condición: New. One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. This book illuminates Naruse s contributions to Japanese and world cinema.&Uumlber den Autor.

Des grands maîtres du cinéma japonais comme Ozu, Mizoguchi, Kurosawa, c'est Mikio Naruse qui reste à ce jour le moins connu du public occidental. Pourtant Ma femme, sois comme une rose, fut élu meilleur film de l'année au japon en 1935, et le premier film parlant japonais distribué aux USA ; pourtant encore, La Mère, sorti en France en 1954, a toujours été répertorié dans les catalogues des ciné-clubs comme l'un des fleurons du cinéma japonais. Mais il faudra attendre les années 8o pour voir reconnu Naruse comme un grand auteur, et une rétrospective à la Cinémathèque française en 2001, pour voir le cinéaste définitivement consacré. Il réalise ses premiers films - muets - en 1930 pour la major company japonaise la Shochiku, et sa carrière prolifique se termine en 1967 avec Nuages épars (il travaille alors pour l'autre grande major company, la Toho). Nuages flottants, son film aujourd'hui le plus connu, est l'un de ses six films adaptés des livres de la célèbre romancière Fumiko Hayashi, avec l' uvre de laquelle il entretient une véritable complicité. L'auteur nous permet non seulement de resituer Mikio Naruse dans le cinéma japonais, et particulièrement par rapport à Ozu auquel il fut souvent comparé, mais plus globalement dans l'histoire du cinéma mondial, en construisant des ponts audacieux avec des cinéastes comme Dreyer, Bergman, Antonioni, Truffaut. Pour mieux analyser son style et sa mise en scène, Jean Narboni nous entraîne sur les pas de Tchékhov pour l'éthique de ses personnages, et de Schubert pour son tempo : " Le naturel comme qualité de la forme, la sensation du temps comme de ce qui ne cesse de passer, résultant d'un art du récit si peu voyant qu'on l'a longtemps tenu pour facile : c'est à ces deux constantes que son cinéma doit sa continuité et sa tenue. A entendre musicalement et moralement. Par cet ouvrage, et à l'encontre des idées reçues, Jean Narboni restitue à Mikio Naruse la place qui lui est due, auprès des plus grands cinéastes du XXe siècle.

Paperback. Condición: New. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were "women's films." They had female protagonists, and they depicted women's passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as "feminist," his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse's cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse's movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

Paperback. Condición: New. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were "women's films." They had female protagonists, and they depicted women's passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as "feminist," his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse's cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse's movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: Fine. Size: A5 version 400 pages.

Condición: New.