Publicado por Princeton University Press, Princeton, NJ, 1989
ISBN 10: 0691020582 ISBN 13: 9780691020587
Idioma: Inglés
Librería: Abacus Bookshop, Pittsford, NY, Estados Unidos de America
Original o primera edición
EUR 6,67
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Añadir al carritosoftcover. Condición: Nearly fine copy. 1st. 8vo, 245 pp., Edited by Roger Poole and Henrik Stangerup.
Publicado por Princeton University Press, Princeton, NJ, 1989
ISBN 10: 0691020582 ISBN 13: 9780691020587
Idioma: Inglés
Librería: Edinburgh Books, Edinburgh, Reino Unido
Original o primera edición
EUR 23,63
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Añadir al carritoSoft cover. Condición: Very Good Plus. First Edition. 1989. [viii], 245pp. "The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining "text-narrative"--not a selection in the ordinary sense but an innovative presentation that tells a new story." some light shelf wear to rear cover and top edge. The book is otherwise in excellent condition. There are no inscriptions and all contents are tight and clean.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 79,09
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Añadir al carritoPaperback. Condición: Brand New. 245 pages. 8.50x5.50x1.00 inches. In Stock.
Publicado por Princeton University Press Sep 1989, 1989
ISBN 10: 0691020582 ISBN 13: 9780691020587
Idioma: Inglés
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 80,96
Convertir monedaCantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Here is an engaging alternative to the more solemn introductions to Sren Kierkegaard that are currently available: The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining 'text-narrative'--not a selection in the ordinary sense but an innovative presentation that tells a new story. The book replaces the inaccessible Kierkegaard of philosophical legend with an ironic, witty, shrewdly observant writer, writing for the amusement of writing, and not for the grimmer satisfactions of instructing or upbraiding. Above all, the Kierkegaard revealed by Poole and Stangerup becomes, in the deepest sense, our contemporary. Taking its title from the young Kierkegaard's nickname, 'The Fork,' the first section of the work is full of urbane and erotic materials and has much to say about his famous broken engagement to Regine Olsen. A section called 'Women' will be of special interest to feminists, particularly the three discourses from the Symposium section of Stages on Life's Way. 'The Midnight Hour' presents Kierkegaard's most anguished and existential passages: 'Do you not know there comes a midnight hour when everyone has to throw off his mask Do you think you can slip away a little before midnight in order to avoid this ' Lastly, '1848 : 1984' presents Kierkegaard as an incisive and relevant political thinker in a way that has never been attempted before.
Publicado por Princeton University Press, New Jersey, 1989
ISBN 10: 0691020582 ISBN 13: 9780691020587
Idioma: Inglés
Librería: CitiRetail, Stevenage, Reino Unido
EUR 72,64
Convertir monedaCantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Here is an engaging alternative to the more solemn introductions to Sren Kierkegaard that are currently available: The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining "text-narrative"—not a selection in the ordinary sense but an innovative presentation that tells a new story. The book replaces the inaccessible Kierkegaard of philosophical legend with an ironic, witty, shrewdly observant writer, writing for the amusement of writing, and not for the grimmer satisfactions of instructing or upbraiding. Above all, the Kierkegaard revealed by Poole and Stangerup becomes, in the deepest sense, our contemporary. Taking its title from the young Kierkegaard's nickname, "The Fork," the first section of the work is full of urbane and erotic materials and has much to say about his famous broken engagement to Regine Olsen. A section called "Women" will be of special interest to feminists, particularly the three discourses from the Symposium section of Stages on Life's Way. "The Midnight Hour" presents Kierkegaard's most anguished and existential passages: "Do you not know there comes a midnight hour when everyone has to throw off his mask? Do you think you can slip away a little before midnight in order to avoid this?" Lastly, "1848: 1984" presents Kierkegaard as an incisive and relevant political thinker in a way that has never been attempted before. Here is an engaging and enjoyable alternative to the more solemn introductions to Soren Kierkegaard that are currently available:"The Laughter is on My Side" entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining "text-narrative"—not a selection in the ordinary sense but an innovating presentation that tells a new story. The book replaces the inaccessible Kierkegaard of philosophical legend with an ironic, witty, shrewdly observant writer, writing for the amusement of writing, and not for the grimmer satisfactions of instructing or upbraiding. Above all, the Kierkegaard revealed by Poole and Stangerup becomes, in the deepest sense, our contemporary. Taking its title from the young Kierkegaard's nickname, "The Fork," the first section of the work is full of urbane and erotic materials and has much to say about his famous broken engagement to Regine Olsen. A section called "Women" will be of special interest to feminists, particularly the three discourses from the Symposium section of "Stages on Life's Way." "The Midnight Hour" presents Kierkegaard's most anguished and existential passages: "Do you not know there comes a midnight when everyone has to throw off his mask? Do you think you can slip away a little before midnight in order to avoid this?" Lastly, "1848:1984 presents Kierkegaarde as an incisive and relevant political thinker in a way that has never been attempted before. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.