jacob jordaens de dhulst r a (48 resultados)

hardcover. Condición: Very Good.

Paperback. Condición: VG. 1st Edition. FLEMISH TEXT. Book is in very good condition with minor signs of wear and/or age. Very minor tear to edge of rear cover.

paperback. Condición: Very Good. Gemeentekrediet; Brussels, 1993. Softcover. Volume 1 Only. A Very Good, binding sturdy and intact, some handling/scuff marks to covers, bit of cover edge/corner wear, stress crease to spine, few scuff marks bottom text block edge, a hint of sunning to verso cover margins and page margins, small creases top and bottom spine, a nice, clean and unmarked copy in Oversize Wraps. 4to[quarto or approx. 9.5 x 12 inches], 309pp., abbreviations, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Paperback. Condición: Good. Dutch.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text in English. 375 pp. Scratches and a small tear on the dust jacket. Jacob Jordaens (1593-1678), together with Rubens and Van Dyck, was one of the great Flemish Baroque masters of the seventeenth century. But unlike Rubens and Van Dyck, Jordaens was not a court painter, nor was he a member of the aristocracy or intellectual élite. His entire working life was spent in Antwerp where, as a respected member of the bourgeoisie, he was a popular and successful artist, his commissions ranging from altarpieces to tapestry design, and from portraits to allegorical ceiling-pieces. Although he did not travel to Italy, as did many of his contemporaries, Jordaens's work reflects the influence of Caravaggio, Veronese, Bassano and other Italian artists. However, without doubt, Jordaens's chief inspiration was his fellow-countryman Rubens, in whose footsteps he followed closely, striving to emulate his compositions and technique. With the death of Rubens in 1640 and Van Dyck in 1641, Jordaens's popularity reached its peak. Yet, ironically. with the resulting rise in commissions, the quality of his work began to decline, and towards the end of his career an increasing amount of work was executed by his studio, under his direction. Jordaens's affiliation with Rubens has led to false attributions and confusion between the two artists, In addition, the developing role of Jordaens's studio has clouded any assessment of the true quality of Jordaens's work, Carrying on the tradition of the standard reference by Max Rooses (1908) and the monographs by P. Buschmann Jr (1905) and Van Puyvelde (1953), Professor d'Hulst analyses critically Jordaens's output, including the large number of works which have recently come to light. He also clarifies which are authentic and defines the high standard of Jordaens's artistic ability. This monograph includes a fully documented account of the artist's life and the stylistic and thematic development of his work as a painter and a draughtsman. It is illustrated throughout in chronological order, with the exception of portraits which have been allocated their own chapter. The volume concludes with an index of collections, subjects and a general index.

Paperback. Condición: Very Good. Met afzondelijk katern met de Inleiding vertaald in het Frans, Engels en Duits. Dutch.

Couverture souple. Condición: Très bon. in-4°, 311 pages, nombreuses illustrations.

Broschiert. Condición: Gut. 1. Auflage. 160 Seiten und 109 Abbildungen. Buch gut erhalten, Einband leicht berieben mit kleinen Randläsuren. Buchecken leicht angestoßen. Sprache: Niederländisch Gewicht in Gramm: 740.

Hardcover. Condición: Fine. First Edition. 375 pp. Hardback in illustrated jacket, in card slipcase. Slipcase has slight damage to one side. Otherwise in fine condition. Translated from the Dutch into English. 0856671193 4to.

375 Seiten mit zahlreichen, zum Teil farbigen Abbildungen. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. // Original hardcover in a dust jacket in a jewlery slipcase. Clean book in good condition. Book from a non smoking environment. Sprache: Englisch Großformat, Original-Leinenband mit Schutzumschlag in einem Schmuckschuber.

Edité en 1993. 309 pages. Cartonnage avec jaquette. Bon état.

XIII, 309 Seiten. 4°. Leicht bestossen. O-Karton. Reich illustriert. Text niederländisch.

Originele uitgeversomslag, softcover, originele uitgeversomslag in kleur, 17x24 cm. , 160 pp. + 109 z/w illustraties. Met aparte inleiding vertaald in het Frans / Engels / Duits. Uitgegeven ter gelegenheid van de tentoonstelling 17 juni - 17 september 1978 naar aanleiding van de 300ste verjaardag van het overlijden van de grootmeester op 18 oktober 1978. Me 1010 g.

29,7 x 24,3 cm - XIII+(1)+309 pgs - originele omslag, soft cover - per werk: beschrijving, afkomst en bibliografie/tentoonstellingen - tentoonstelling in het kader van Antwerpen '93 culturele hoofdstad van Europa.

Antwerpen, Koninklijk Museum voor Schone Kunsten / Gemeentekrediet 1993 Softcover, 309pp., 24.5x30cm., talrijke ills. in kleur en z/w., in zeer goede staat. (omslag met lichte gebruikssporen). ISBN 9050661157.

xi + 140pp.rijkelijk geïll., 30cm., Catalogus van gelijknamige tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993).

Couverture rigide. Condición: Très bon. Paris, Éditions Albin Michel, Fond Mercator, 1982, couverture cartonnée de l'éditeur sans la jaquette, environ 34 X 26 cm, 367 pages, abondamment illustré en couleur et en N&B. Notre exemplaire dans sa forme est pour ainsi dire comme neuf. CEPENDANT il s'agit d'un ancien exemplaire de bibliothèque avec un cachet sur chacune des tranches des pages et un cerne de vieille colle séchée et jaunie au bas du dos consequence de l'enlèvement d'une ancienne etiquette, sinon le reste est comme neuf. (AVERTISSEMENT ; Les frais d'envoi internationaux donnés par Abebooks sont souvent erronés veuillez obligatoirement m'écrire pour connaître les frais d'envoi réels pour l'extérieur du Canada AVANT de passer votre commande sinon vous pourriez avoir de mauvaises surprises. Paiement de préférence par Paypal).

Condición: UsatoBuono. Bross., cm 30x24, pp 140, numerosiss. ill. prevalentem. a colori.

xiii + 309pp.rijkelijk geïll., 30cm., Catalogus van gelijknamige tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), S56636.

Hardcover. Condición: As New. Estado de la sobrecubierta: New. 1st Edition. Jacob Jordaens hard cover + dustjacket and slipcase, 335 x 260 mm,367 p, illustrated, very good condition, as new 0.

Hardcover. Condición: As New. Estado de la sobrecubierta: New. 1st Edition. Jacob Jordaens hard cover + dustjacket and slipcase, 335 x 260 mm,367 p, illustrated, very good condition, as new 0.

Couverture rigide. Condición: Comme neuf. Estado de la sobrecubierta: Comme neuf. Edition originale. In-folio sous étui, 368 pp.

Condición: UsatoBuono. Ril. in tela con cop. plast., cm 34x26, pp 367, 252 tavv b/n e a colori. Testo in francese.

flessibile. Condición: Ottimo (Fine). Testo in francese. 367 p., f.to cm 34x26, copertina rigida con sovraccoperta e cofanetto in tela editoriale. Ottimo stato: cofanetto e sovraccoperta con segni di usura e del tempo, rilegatura e pagine come nuovo. Book.

Gebonden, met foedraal, linnen, vergulde titel op de voorplaat, rug versierd met vergulde titel, originele ge llustreerde stofomslag in kleur, 26x33,5cm, 367pp, ge llustreerd in kleur en z/w, bibliografie, index. Antwerpen op het einde van de 16de en in de 17de eeuw. Het leven van Jacob Jordaens. De vormingsjaren, tot circa 1618. De rijke ontplooiing, circa 1628-1641. Grote bedrijvigheid, met toenemende medewerking van het atelier, circa 1642 - 1651. De late levenjaren, circa 1652-1678. Jordaens als portrettist. Jordaens als ontwerper van wandtapijten. Jordaens als mens en kunstenaar. 777 g.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Jacob Jordaens 4 volumes Monographs of the " Natioinaal Centrum voor de plastische kunsten van de XVIde en XVIIde eeuw " V de uitgave 4 volumes in two boxes Volume I : 332 pages of text Volume II : 268 pages of text and 8 pages of illustrations Volume III : 80 pages of text and 272 pages of illustrations Volume IV : 8 pages of text and 376 pages illustrations 0.

33,5 x 26 cm - 367 pgs - original cloth and dust-jacket, in slip-case - very well imllustrated - nice copy - TEXT IN DUTCH.

Condición: UsatoBuono. Ril. in tela con cop. plast., cm 34x26, pp 375, 252 tavv b/n e a colori. Testo in inglese.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First British edition. Folio. Translated from the Dutch by P.S. Falla. 375pp. Fine in a fine dust jacket in a good only slipcase with tape repairs.

Condición: Wie neu. 309 pp., numerous figs. ISBN 9782711828494 Sprache: Französisch Gewicht in Gramm: 3000 30,5 x 25 cm. Gebundene Ausgabe mit Schutzumschlag (wie neu).