indian classical dance de vatsyayan kapila (18 resultados)

Condición: New. pp. ix + 95 Illus.

Condición: New. pp. ix + 95 4th Edition.

Condición: New.

Condición: New. xlii + 534.

Condición: New. pp. xxxii + 376.

Condición: New. xlii + 534 3rd Edition.

Paperback. Condición: Very Good. Paperback in Very Good Condition. Liquid marks on front wrap that are contained to part of lower and fore-edge. Zero sign of liquid exposure to inside pages. Corners and spine ends bumped. Pages clean and bright.

Condición: New. xlii + 534.

4to. IX, 66 S. und 87 Bildseiten. OPb. mit OSchU. Schutzumschlag beschädigt.

Hardcover. Condición: New. ISBN:9788124611449.

Condición: New. pp. xxxii + 376 Acknowledgements.

Cloth. Condición: Vg. Estado de la sobrecubierta: Vg. 66 pgs text with multiple b/w photo examples gathered at the end. A gently used copy with a small break in the cloth at the bottom of the spine. Small chips and light wear to dust jacket. No names or marks in text. Well written volume presenting the artistic history, technique and repertoire of the major classical dance forms of India.

Hardcover. Condición: New. 3rd Edition. Contents: Prologue. Foreword. Preface to the Second Edition. Preface to the First Edition. Introduction. 1. Indian Aesthetics. 2. Theory and Technique of Classical Indian Dance. 3. Literature and Dancing. 4. Sculpture and Dancing. 5. Music and Dancing. Plates. Select Bibliography. Index. This volume is the result of many years of painstaking research in a field, which had been neglected by art historians, and thus presenting an idealistic view of the whole tradition of Indian art and aesthetics. This definitive work on the inherent interrelationship of the Indian arts is a path-breaking endeavour, treading into a domain which no one had explored. For that to happen, the author has delved deep into enormous mass of literature on the subject and has also surveyed the portrayal of dance figures in ancient temples. With Dr Kapila Vatsyayan's profound knowledge of various dance forms as a performing artist of her own standing and having studied the sculptures and artefacts minutely, the book emerges so scholarly emanating the wisdom and know-how of a persona, endowed with the unique combination of a researcher, an art historian and an aesthetician par excellence. The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhasa, Kalidasa, Sudraka, Bhavabhuti, Abhinavagupta, Jayadeva and many more along with numerous Bhasa scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian subcontinent. This highly scholarly work should invoke keen enthusiasm among Sanskritists, art historians, dancers and students of varied art forms alike, and should pave the way for ongoing researches on all the topics covered within its scope.

Hard cover. Condición: Good. No jacket. The cover is slightly smudged on the front and back cover. The edges of the cover is worn and rubbed. Binding is tight. Pages are yellowed, but otherwise they are cleaned and unmarked.

In-8° gr. pp. 66 con 70 foto su tav. f.t. Legatura edit. ill.

Hardcover. First Edition; First Printing. Very Good in a Good+ laminated dust jacket.

Sangeet Natak Akademi ; 1977; Noisbn ; Rilegato con titoli al piatto e dorso, sovracoperta MANCANTE; 24,5 x 19 cm; pp. XXVIII-376; A cura di Kapila Vatsyayan. Second edition. Volume con 155 ill b/n fuori testo. ; Presenta segni d'uso ai bordi, difetto da caduta al bordo del dorso e alla cerniera, interno senza scritte, volume lievemente brunito; Accettabile (come da foto). ; This volume is the result of many years of pain staking research in a field, which had been neglected by art historians, and thus presenting an idealistic view of the whole tradition of Indian art and aesthetics. This definitive work on the inherent interrelationship of the Indian arts is a path-breaking endeavour, treading into a domain which no one had explored. For that to happen, the author has delved deep into enormous mass of literature on the subject and has also surveyed the portrayal of dance figures in ancient temples. With Dr Kapila Vatsyayan's profound knowledge of various dance forms as a performing artist of her own standing and having studied the sculptures and artefacts minutely, the book emerges so scholarly emanating the wisdom and know-how of a persona, endowed with the unique combination of a researcher, an art historian and an aesthetician par excellence. The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhasa, Kalidasa, Sudraka, Bhavabhuti, Abhinavagupta, Jayadeva and many more along with numerous Bha?a scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian subcontinent. This highly scholarly work should invoke keen enthusiasm among Sanskritists, art historians, dancers and students of varied art forms alike, and should pave the way for ongoing researches on all the topics covered within its scope. ; Scheda a cura di Equilibri libreria. L'immagine corrisponde alla copia in vendita. 011.83.90.381 Inglese.

New Delhi, Sangeet Natak, 1977. XXVIII,376 pp. B./w. ills. Orig. hardcover, no d./j.