friedlander first (32 resultados)

Softbound. Condición: Very Good. First Edition. Quarto, stapled paper covers, 35 pp.

LeatherBound. Condición: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1833 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 17 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Hardcover. Condición: new.

Cincinnati, Hebrew Union College, may 1, 1922. In-4, printed stapled covers, 35 p., texte sur 2 colonnes. First edition. David Friedländer (or Friedlander; 1750, Königsberg 1834, Berlin), a German banker, writer and communal leader. A very good copy.

Original wrappers, sewn, 22.5cm, 23 pp. Very good condition. Black and white photograph of Michael Friedlander. This lecture was in poem form.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Signed and Inscribed 1st Edition stated First Edition of this great book by one of America's great photographers. Signed on the front free endpaper in black ink, inscribed "to Virginia, with Love" followed by his signature. Other than this, the only other marking in the book is on the rear colophon, where there is a small, neat stamp from an art gallery. Overall super copy. Binding is solid, sound, and square. Boards are clean and firm, with scuffed lower corners, but else fine. Outer edge of the page block has some rubbing to that same corner but otherwise also fine. Interior is crisp and bright. Dustjacket is clean with only some miniscule rubbing and shelfwear, now in brodart. Signed by Author(s).

First edition. Hardcover. Features texts by Kitaj and Maria Friedlander. A collection of black and white photographs taken over the course of the long friendship between the Kitaj and Friedlander. Includes 96 duotones. A fine copy in photo-illustrated boards. No dust jacket as issued. Signed by Friedlander.

Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Lee Friedlander, Maria Friedlander, Anna Roma and Giancarlo Roma. Hardcover. White photographically-illustrated laminated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Giancarlo T. Roma. Designed by Anna Roma and Marvin Hoshino. Includes an index of photographs and list of titles. 176 pp., with duotone plates throughout. Printed by Industria Grafica Si.Z., Verona, Italy. 8-3/4 x 9-1/4 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's packaging (opened for signature). From the publisher: "Containing the largest collection of renowned American photographer Lee Friedlander's own quotes ever published, Friedlander First Fifty offers a behind-the-scenes look at the photographer's diverse oeuvre that contextualizes and brings new life to the work, for everyone from the casual art appreciator to the most ardent Friedlander fan. Over a career spanning seven decades, Friedlander has produced an unrivaled photographic output documenting seemingly every aspect of the American "social landscape" (a term Friedlander coined), with a specific focus on creating books. "Books are my medium," Friedlander has been quoted as saying. Friedlander First Fifty provides an inside look at Friedlander's first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander's grandson, Giancarlo, and daughter, Anna, who co-published the book. The result is the most personal and candid look at Friedlander's life and career to date, as told by the artist to his own family. Published over a fifty-year period, from 1969-2018, the first fifty books describe the entirety of subject matterâ"from jazz musicians to factory workers to monuments to television screensâ"and genresâ"from self-portraits to street photographs to nudes to landscapesâ"for which Friedlander is known." Signed by Author.

First edition. Oblong hardcover. Foreword by R. B. Kitaj. A collection of 71 black and white portrait photographs. A fine copy in a very near fine dust jacket. Signed by Friedlander on the half title page. A fresh copy.

Condición: Sehr gut. Haywire Press, New City, New York, 1970. First edition, first printing. Andrew Roth, The Book of 101 Books, page 198/199. Martin Parr, The Photobook, vol 1, page 258. True first edition; there were later editions in 1998 and 2005. Paperback. 216 x 230 mm, 88 pages. 42 black and white photos. Introduction by Lee Friedlander. Condition: Some pages with minimal defect at the bottom, one page with little missing part at the bottom right corner. Otherwise flawless and clean. Overall fine copy without foxing, without tears or any other defects.***************Haywire Press, New City, New York, 1970. Amerikanische Erstausgabe. Originalausgabe. Andrew Roth, The Book of 101 Books, Seite 198/199. Martin Parr, The Photobook, vol 1, page 258. Seltene Erstausgabe; es gab spätere Ausgaben in 1998 und 2005. Paperback. 216 x 230 mm, 88 Seiten. 42 schwarz-weiß Fotos. Einführung von Lee Friedlander. Fotobuch-Klassiker! Zustand: Einige Seiten mit winzigen Defekten am unteren Rand, eine Seite mit winzigem Ausriss an der rechten unteren Ecke. Ansonsten tadellos und sauber. Insgesamt sehr gutes Exemplar ohne Stockflecken oder andere gravierende Mängel. Sprache: Englisch Gewicht in Gramm: 1600.

Soft cover. Condición: Near Fine. 1st Edition. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Lee Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Out of print. Scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Near Fine (wear to the extremites, else Fine). Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author.

Condición: Sehr gut. Haywire Press, New City, New York, 1970. First edition, first printing. Andrew Roth, The Book of 101 Books, page 198/199. Martin Parr, The Photobook, vol 1, page 258. True first edition; there were later editions in 1998 and 2005. Paperback. 216 x 230 mm, 88 pages. 42 black and white photos. Introduction by Lee Friedlander. Condition: Little sticker on title page. Otherwise flawless and clean. Overall excellent copy without foxing, without tears or any other defects. Scarce, especially in this condition! Collector`s copy!***************Haywire Press, New City, New York, 1970. Amerikanische Erstausgabe. Originalausgabe. Andrew Roth, The Book of 101 Books, Seite 198/199. Martin Parr, The Photobook, vol 1, page 258. Seltene Erstausgabe; es gab spätere Ausgaben in 1998 und 2005. Paperback. 216 x 230 mm, 88 Seiten. 42 schwarz-weiß Fotos. Einführung von Lee Friedlander. Fotobuch-Klassiker! Zustand: Winziger Aufkleber auf der Titelseite. Ansonsten tadellos und sauber. Insgesamt sehr gutes Exemplar ohne Stockflecken oder andere gravierende Mängel. In diesem Zustand selten! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Sehr gut. Haywire Press, New City, New York, 1970. First edition, first printing. Andrew Roth, The Book of 101 Books, page 198/199. Martin Parr, The Photobook, vol 1, page 258. True first edition; there were later editions in 1998 and 2005. Paperback. 216 x 230 mm, 88 pages. 42 black and white photos. Introduction by Lee Friedlander. Condition: Last pages lightly creased at the bottom right corner. Sticker of the store at the bottom right corner of the rear cover. On the backside of the title page ex-libris stamp of the famous german photographer Michael Ruetz, markes in pencil by his hand "700". Overall very fine copy without foxing, without tears or any other defects. Scarce, especially in this condition! Collector`s copy!***************Haywire Press, New City, New York, 1970. Amerikanische Erstausgabe. Originalausgabe. Andrew Roth, The Book of 101 Books, Seite 198/199. Martin Parr, The Photobook, vol 1, page 258. Seltene Erstausgabe; es gab spätere Ausgaben in 1998 und 2005. Paperback. 216 x 230 mm, 88 Seiten. 42 schwarz-weiß Fotos. Einführung von Lee Friedlander. Fotobuch-Klassiker! Zustand: Die letzten Seiten mit winziger Knickspur in der rechten unteren Ecke. Sticker der Verkaufs-Buchhandlung (Wittenborn Art Books; New York) in der rechten unteren Ecke des rückseitigen Covers. Auf der Rückseite der Titelseite Ex-Libris-Stempel des berühmten deutschen Fotografen Michael Ruetz, von ihm in Bleistift mit der Nummer "700" bezeichnet. Insgesamt von sehr guter, sehr schöner Erhaltung ohne Stockflecken oder andere gravierende Mängel. In diesem Zustand selten! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Sehr gut. Haywire Press, New City, New York, 1970. First edition, first printing. Andrew Roth, The Book of 101 Books, page 198/199. Martin Parr, The Photobook, vol 1, page 258. True first edition; there were later editions in 1998 and 2005. Paperback. 216 x 230 mm, 88 pages. 42 black and white photos. Introduction by Lee Friedlander. Condition: Inside and outside extrem fresh; quiet flawless. No marks, no foxing, no defects. Slightest trace of use outside, inside like new. In this condition extremly hard to find. Overall near mint, near perfect condition. Collector`s dream!***************Haywire Press, New City, New York, 1970. Amerikanische Erstausgabe. Originalausgabe. Andrew Roth, The Book of 101 Books, Seite 198/199. Martin Parr, The Photobook, vol 1, page 258. Seltene Erstausgabe; es gab spätere Ausgaben in 1998 und 2005. Paperback. 216 x 230 mm, 88 Seiten. 42 schwarz-weiß Fotos. Einführung von Lee Friedlander. Fotobuch-Klassiker! Zustand: Innen wie aussen extrem frisch; nahezu tadellos. Keine Besitzvermerke, keine Stockflecken, keine Mängel. Aussen mit ganz leichter Bereibung an den Kanten, innen wie neu. Insgesamt aussergewöhnlich frischer, schöner Erhaltung! In diesem Zustand extrem schwer zu finden! Sammler-Traum! Sprache: Englisch Gewicht in Gramm: 1600.

Soft cover. Condición: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. SIgned in ink by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Lee Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Out of print. Scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine, a Near Mint copy (from Friedlander's personal archive). Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author.

Soft cover. Condición: As New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. SIgned by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004) and in Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #3.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author.

Hardcover. Condición: New. 1st Edition. SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE. Price is net to all; promotional discounts do not apply. This special edition, comprised of a signed copy of "Friedlander First Fifty" and an original gelatin silver print of the cover image, is limited to fifty copies. The image size of the print is 5 x 7-3/8 inches. Each print is signed on verso by Friedlander. The print is housed in a blue cloth-covered folio alongside a signed copy of the book within a blue cloth-covered slipcase with "FFF" stamped in gold on the front. About the Book: First edition, first printing. Signed by Friedlander on the title page. Hardcover. White photographically-illustrated laminated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Giancarlo T. Roma. Designed by Anna Roma and Marvin Hoshino. Includes an index of photographs and list of titles. 176 pp., with duotone plates throughout. Printed by Industria Grafica Si.Z., Verona, Italy. 8-3/4 x 9-1/4 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's packaging (opened for signature). From the publisher: "Containing the largest collection of renowned American photographer Lee Friedlander's own quotes ever published, Friedlander First Fifty offers a behind-the-scenes look at the photographer's diverse oeuvre that contextualizes and brings new life to the work, for everyone from the casual art appreciator to the most ardent Friedlander fan. Over a career spanning seven decades, Friedlander has produced an unrivaled photographic output documenting seemingly every aspect of the American "social landscape" (a term Friedlander coined), with a specific focus on creating books. "Books are my medium," Friedlander has been quoted as saying. Friedlander First Fifty provides an inside look at Friedlander's first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander's grandson, Giancarlo, and daughter, Anna, who co-published the book. The result is the most personal and candid look at Friedlander's life and career to date, as told by the artist to his own family. Published over a fifty-year period, from 1969-2018, the first fifty books describe the entirety of subject matterâ"from jazz musicians to factory workers to monuments to television screensâ"and genresâ"from self-portraits to street photographs to nudes to landscapesâ"for which Friedlander is known." Signed by Author.

Hardcover. Condición: As New. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (please inquire for actual shipping cost). Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. From the publisher: (about the set) "Containing the largest collection of renowned American photographer Lee Friedlander's own quotes ever published, Friedlander First Fifty offers a behind-the-scenes look at the photographer's diverse oeuvre that contextualizes and brings new life to the work, for everyone from the casual art appreciator to the most ardent Friedlander fan. Over a career spanning seven decades, Friedlander has produced an unrivaled photographic output documenting seemingly every aspect of the American "social landscape" (a term Friedlander coined), with a specific focus on creating books. "Books are my medium," Friedlander has been quoted as saying. Friedlander First Fifty provides an inside look at Friedlander's first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander's grandson, Giancarlo, and daughter, Anna, who co-published the book. The result is the most personal and candid look at Friedlander's life and career to date, as told by the artist to his own family. Published over a fifty-year period, from 1969-2018, the first fifty books describe the entirety of subject matterâ"from jazz musicians to factory workers to monuments to television screensâ"and genresâ"from self-portraits to street photographs to nudes to landscapesâ"for which Friedlander is known." Description: Boxes contain a signed copy of each of Friedlander's first fifty trade titles; special edition case contains a signed copy of Friedlander First Fifty from the first edition printing with and one signed, original print in a separate folio. Packing Details: Custom-made art storage boxes; high density foam lining; label inside each lid that illustrates the box's contents; special edition cloth over board case; gold stamped lettering. Dimensions: Two larger boxes: 24½ x 14 x 21½ inches; three smaller boxes: 19 x 15-1/2 x 19-1/2 inches; special edition case: 9-5/8 x 9-1/2 x 1-3/4. As New (all titles from Friedlander's personal archive). A Mint collection, packed in custom-made art storage boxes. 1. Work from the Same House: Photographs and Etchings. By Lee Friedlander & Jim Dine. London: Trigram Press, Ltd., 1969. First edition, first printing. Signed by Friedlander. Soft cover. Laminated white wrappers with title printed on front and spine, no dust jacket as issued. Photographs by Friedlander. Etchings and text (untitled preface) by Jim Dine. Designed by Ass Benveniste, Trigram Press, London. Unpaginated (48 pp.), with 33 black and white plates printed on 70-lb. Ambassador White Art Double Crown coated paper by W&J Mackay & Co., Ltd., Chatham, Kent, England. 9-3/4 x 9-7/8. [Note: Reproduces the same pairings of photographs and etchings as the Photographs & Etchings portfolio (ref. 14. above), except for plates 8 (here the bottom part of the etching is radically cropped) and 15 (here only the top of this three-part etching is reproduced).] This collaborative artists' book reflects a visual dialogue presenting photographs by Lee Friedlander on the left-hand pages, with Dine's etchings facing them on the right side. 2. Self Portrait: Photographs by Lee Friedlander (First Edition). New City, New York: Haywire Press, 1970. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. 3. The American Monument. New York: The Eakins Press Foundation, 1976. First edition, first printing. Signed by Friedlander. Hardcover. Blue-green cloth-covered boards, with title stamped in black on cover and spine; assembled with metal pins; no dust jacket as issued. Photographs by Friedlander. Essay by Leslie George Katz. Designed by Leslie George Katz, Friedlander, and Richard Benson. Cover and typography by Lance Hidy. 170 pp., with 213 plates printed on fine heavy stock uncoated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Richard Benson. Binding by George Wieck, Robert Burlen and Son, Massachusetts. Special binding was designed so that individual sheets could be removed and ex.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (please inquire for actual shipping cost). A complete collection of all books and exhibition catalogues on the work of Lee Friedlander over a sixty year period, from 1963 through 2023. All titles first edition, first printing. All titles signed by Friedlander. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine to As New (most titles from Friedlander's personal archive). A Mint collection. MONOGRAPHS AND EXHIBITION CATALOGUES: 1. Work from the Same House: Photographs and Etchings. By Lee Friedlander & Jim Dine. London: Trigram Press, Ltd., 1969. First edition, first printing. Signed by Friedlander. Soft cover. Laminated white wrappers with title printed on front and spine, no dust jacket as issued. Photographs by Friedlander. Etchings and text (untitled preface) by Jim Dine. Designed by Ass Benveniste, Trigram Press, London. Unpaginated (48 pp.), with 33 black and white plates printed on 70-lb. Ambassador White Art Double Crown coated paper by W&J Mackay & Co., Ltd., Chatham, Kent, England. 9-3/4 x 9-7/8. [Note: Reproduces the same pairings of photographs and etchings as the Photographs & Etchings portfolio (ref. 14. above), except for plates 8 (here the bottom part of the etching is radically cropped) and 15 (here only the top of this three-part etching is reproduced).] This collaborative artists' book reflects a visual dialogue presenting photographs by Lee Friedlander on the left-hand pages, with Dine's etchings facing them on the right side. 2. Self Portrait: Photographs by Lee Friedlander (First Edition). New City, New York: Haywire Press, 1970. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. 3. The American Monument. New York: The Eakins Press Foundation, 1976. First edition, first printing. Signed by Friedlander. Hardcover. Blue-green cloth-covered boards, with title stamped in black on cover and spine; assembled with metal pins; no dust jacket as issued. Photographs by Friedlander. Essay by Leslie George Katz. Designed by Leslie George Katz, Friedlander, and Richard Benson. Cover and typography by Lance Hidy. 170 pp., with 213 plates printed on fine heavy stock uncoated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Richard Benson. Binding by George Wieck, Robert Burlen and Son, Massachusetts. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches. This first edition was limited to 2000 copies. 4. Lee Friedlander: Photographs. New City, New York: Haywire Press, 1978. First edition, first printing. Signed by Friedlander. Hardcover. Navy blue cloth-covered boards with title stamped in silver on cover and spine; no dust jacket as issued. Photographs by Friedlander. Designed by John Berg. Unpaginated (106 pp.), with 137 plates printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 10-3/4 x 11-1/2 inches. Contains reproductions of Friedlander's most well known work, as well as numerous images rarely published elsewhere. 5. Flowers and Trees. New City, New York: Haywire Press, 1981. ISBN: 9990469792. First edition, first printing. Signed by Friedlander. Hardcover. Fine violet cloth-covered outer boards with title stamped in black on cover, with green cloth-covered interior boards enclosing spiral-bound sheets, no dust jacket as issued. Photographs and design by Friedlander. Typography by Katy Homans. Includes a list of plates. Unpaginated (88 pp.), with 40 plates printed on heavy matte art paper by Stinehour Press, Vermont, and Meriden Gravure Company, Meriden, Connecticut, from tritone separations made by Richard Benson. A large fold-over portfolio-like design with a special spiral binding by Robert Burlen & Son, Massachusetts. 14-3/8 x 11-1/4 inches. With exquisite reproductions, this is one of Friedlander's most beautifully designed and most difficult to find books. Gorgeous botanical photographs from Friedlander's travels in the United States, Japan, Europe and Mexico during the 1970s. 6. Factory Valleys, Ohio and Pennsylvania. New York: Callaway Editions, Inc., 1982. ISBN: 0935112049. First edition, first printing. Signed by Friedlander. Moss-green cloth-covered boards, with photographically illustrated dust jacket. Photographs by Friedlander. Afterwor.