changing forms art de patrick heron (10 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Clean & Unmarked. A gently read copy with mild handling wear. Age and handling discoloration. Clean text and a strong binding. 290 pp.

Hardcover. Condición: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. 8vo hardback, bound in red cloth with gilt lettering to the spine, unclipped d/j in reasonable condition, front free end paper missing, tight binding, mild tanning to the pages, text clean and bright. Second Impression 1956. Condition between good and fair.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Pages clean, no markings, age toned. Dust jacket unclipped with light edgewear. Complete with 39 illustrations. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Poor. 1st Edition. Published: 1955. First Edition. DESCRIPTION: Blue grey DJ over red cloth with gilt titles to spine. Illustrated with 39 figures on plates to rear of book. Language: English. Book Condition: Very Good: Light wear to corners, edges and spine ends. Sunned upper spine edge and 3cm of lower spine end. Tightly bound with intact endpapers and strong hinges. Prev owners name to ffep and spot to rear endpaper. Clean unmarked pages. DJ Condition: Poor: Wear and creasing to upper and lower edges. 3cm loss to lower spine end with smaller losses to upper spine end and corners. Heavy wear to spine edges and fold overs. Soiled. Pages xxiii, 290, plates. Size: 22cm by 14cm.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. This book is bound in bright orange boards with bright gilt letters on the spine. There is light wear on the edges. The contents are clean & unmarked, the binding is tight. The dust jacket has wear on the spine tip-s, cover corners & along the edges. Some age darkening. 28s net on the flap.

Hardback. Condición: Good. First Edition. 15 x 23cm 300pp good hardback in dust jacket, previous owner's name neatly written with the date 1956, on the front free end paper. Texts include: 'The Necessity of Distortion in Painting', 'Submerged Rhythm', 'Modern English Romantics' plus thinking on Braque, Picasso, Pierre Bonnard, Maurice de Vlaminck, Paul Nash. With black and white reproductions.

Hardcover. Condición: Fine (-). Estado de la sobrecubierta: Fine (-). 1st. (UK) First publication, 1955. No markings, but faint spots of residue from tape offsetting from a dust jacket protector , hinges solide, pages clean, Fine (-) in price-clipped Fine (-) dust jacket with a hit of rubbing to the head of the spine panel of DJ. Red boards, xxiv, 290pp, index, then 41 small B&W illustrations on coated paper. Heron, who died in 1999, was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art. Nicholas Serota, former director of the Tate Gallery, who was a friend as well as patron, described Heron as "one of the most influential figures in post-war British art. Heron was highly acclaimed as a writer as well as an artist, and respected by his contemporaries for being able to articulate art from the perspective of a practitioner. (1.9 JM LVR 200/2 Size: 8vo - over 7¾" - 9¾".

8vo., First Edition, with plates; terracotta cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper, the latter lightly rubbed at extremities. With the trade ticket pf Parkers of Oxford on front paste-down. AUDREY BLACKMAN'S COPY WITH HER DATED HOLOGRAPH SIGNATURE ON FRONT FREE ENDPAPER. THE ORIGINAL RECEIPT OF PURCHASE, MADE OUT BY PARKERS TO THE SCULPTOR AT HER WEST WOOD HOUSE ADDRESS, IS LOOSELY INSERTED. IN ADDITION, THE FRONT PASTE-DOWN BEARS THE PICTORIAL BOOKPLATE OF THE GEOFFREY AND AUDREY BLACKMAN BEQUEST. A UNIQUE COPY WITH SPLENDID LOCAL PROVENANCE.

First edition, first printing. Near fine, slightly rubbed to the spine in very good dustjacket with wear to the head of the spine and corners.