antwerp renaissance (36 resultados)

Unbound Pages. Condición: Very Good. 8 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardcover. 12mo, variously paged. In Good condition. Spine is blue with silver print. Boards in blue cloth; light blemishes on rear panel. Text block has spotting to top edge. Illustrated: Third work illustrated with wood cuts. Reprint (facsimiles) of early editions as noted in title. Text in Latin. NOTE: Shelved in Netdesk Column V. 1402833. FP New Rockville Stock.

Hardcover. Condición: As new. Octavo. Hardcover. Tan cloth with black titles and red illustration.

Paperback. Condición: Brand New. bilingual edition. 394 pages. 9.50x6.50x1.00 inches. In Stock.

Paperback. Wraps with black lettering; 231 pp.; richly illustrated. This catalogue was created on the occasion of an "Unrestricted Public Sale," held November 19, 20, 21 and 22, 1930, beginning at 2:15 p.m. Good+ (Wraps are toned, chipped, smudged and dog-eared; penciled notes, including prices realized, are present throughout; pages are lightly toned, foxed and smudged; some pages have been dogeared.).

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Hardcover. Condición: Brand New. 315 pages. 10.00x7.00x0.75 inches. In Stock.

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Hardcover. Condición: Brand New. bilingual edition. 300 pages. 11.75x8.50x1.25 inches. In Stock.

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Leuven, Peeters, 2009. 394 pp. Pbk. (Travaux.14).

Hardcover, 315 pages ., 19 b/w ill. + 49 colour ill., 4 b/w tables, 178 x 254 mm, ISBN 9782503588339. Antwerp in the Renaissance offers new research results and fresh perspectives on the economic, cultural, and social history of the Antwerp metropolis in the sixteenth century. This book engages with Antwerp in the Renaissance. Bringing together several specialists of sixteenth-century Antwerp, it offers new research results and fresh perspectives on the economic, cultural and social history of the metropolis in the sixteenth century. Recurrent themes are the creative ways in which the Italian renaissance was translated in the Antwerp context. Imperfect imitation often resulted from the specific social context in which the renaissance was translated: Antwerp was a metropolis marked by a strong commercial ideology, a high level affluence and social inequality, but also by the presence of large and strong middling layers, which contributed to the city?s ?bourgeois? character. The growth of the Antwerp market was remarkable: in no time the city gained metropolitan status. This book does a good job in showing how quite a few of the Antwerp ?achievements? did result from the absence of ?existing structures? and ?examples? Moreover, the city and its culture were given shape by the many frictions, and uncertainties that came along with rapid urban growth and religious turmoil. Bruno Blond and Jeroen Puttevils are colleagues at the Centre for Urban History at the University of Antwerp. The research fields of Blond include the history of transportation, economic growth and social inequality, material culture, retail and consumption of the early modern Low Countries. Puttevils works on the late medieval Low Countries and deals with topics such as mercantile and financial culture, the history of lotteries and how people thought about the future in the past. Table of Contents Antwerp in the Renaissance Bruno Blond and Jeroen Puttevils Sixteenth-Century Antwerp, a Hyper-Market for All? The Case of Low Countries Merchants Jeroen Puttevils Antwerp Commercial Law in the Sixteenth Century: A Product of the Renaissance? The Legal Facilitating, Appropriating and Improving of Mercantile Practices Dave De Ruysscher Brotherhood of Artisans. The Disappearance of Confraternal Friendship and the Ideal of Equality in the Long Sixteenth CenturyBruno Blond and Jeroen Puttevils Sixteenth-Century Antwerp, a Hyper-Market for All? The Case of Low Countries Merchants Jeroen Puttevils Antwerp Commercial Law in the Sixteenth Century: A Product of the Renaissance? The Legal Facilitating, Appropriating and Improving of Mercantile Practices Dave De Ruysscher Brotherhood of Artisans. The Disappearance of Confraternal Friendship and the Ideal of Equality in the Long Sixteenth Century Bert De Munck ?And Thus the Brethren Shall Meet All Together? Active Participation in Antwerp Confraternities, c. 1375?1650 Hadewijch Masure A Renaissance Republic? Antwerp?s urban militia, ?the military Renaissance? and structural changes in warfare, c. 1566?c. 1621 Erik Swart A Counterfeit Community. Rederijkers, Festive Culture and Print in Renaissance Antwerp Anne-Laure Van Bruaene Literary Renaissance in Sixteenth-Century Antwerp? Herman Pleij Building the Metropolis Krista De Jonge, Piet Lombaerde, and Petra Maclot The City Portrayed. Patterns of Continuity and Change in the Antwerp Renaissance City View Jelle De Rock Trial and error. Antwerp Renaissance art Koenraad Jonckheere Silks and the ?Golden Age? of Antwerp 0 g.

Hardcover with dusjacket VI+385 pages., 62 b/w ill. + 203 colour ill., 210 x 297 mm Illustrated.Languages: English, Middle Dutch. *new. ISBN 9782503555317. The first published monograph on the Antwerp painter Jan de Beer (c.1475-1527 /28), with an oeuvre catalogue The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous forty years after his death, but then fell into oblivion until the early twentieth century. This monograph is the first published, comprehensive study of his art and career. Its biography is the result of a thorough search of the archives and includes a recently discovered teaching contract with Lieven van Male of Ghent. All documents are fully transcribed, including documents for the artist's painter-son, Aert de Beer (c.1508-1538/40). Results from technical studies of the artist's work, including underdrawings and dendrochronological dating, are incorporated throughout the book. The artist's surviving oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window in Antwerp Cathedral after a lost design. De Beer's stylish, elegant art exerted a powerful appeal upon the buying public, churches abroad, and copyists. His lost Adoration of the Magi was the best-selling painting design in Antwerp at the time. De Beer is further important as one of only two Antwerp artists of his generation for whom a significant body of drawings exists. The catalogue of paintings and drawings by the artist and his workshop, including the numerous copies and variants, comes to over 170 works. De Beer's art is typically associated with the work of the Antwerp Mannerists, a prominent group of painters active in the city during his lifetime. This study argues that De Beer's work, plus that of the Mannerists and the city's retable carvers, should be understood as a novel, modern expression of late Gothic art, a sixteenth-century renewal of the Gothic mode that was also manifested in contemporary architecture, calligraphy, music and poetry. Dan Ewing (1949) completed his dissertation on Jan de Beer at the University of Michigan in 1978. He is Professor of Art History at Barry University in Miami Shores, Florida, and has published on De Beer, Jan van Eyck, and Michelangelo. In 1990 his archival study of the Antwerp Cathedral account books for the Pand art market, 1460-1560, was published in The Art Bulletin. In 2005 he was a contributing author for the Antwerp exhibition, ExtravagAnt! A Forgotten Chapter of Antwerp Art, 1500-1530. He contributed to the 2007 Patinir exhibition in Madrid and the 2011 Joos van Cleve exhibition in Aachen. Among his many research grants are an award from the Samuel H. Kress Foundation and two awards from the National Endowment for the Humanities. 0 g.

Alphen aan den Rijn, Canaletto, 1994, 1994. 2 vols. VIII,438 pp. B./w. ills. / figs, incl. 638 b./w. ills on plts. Orig. uniform hardcovers (gilt lettered red cloth), d./j. * Complete set of two volumes: Vol. 1: The text; Vol. 2: The plates.

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. Fecit (MEF) D. Ewing Jan de Beer, Gothic Renewal in Renaissance Antwerp approx. VI+385 p., 62 b/w ill. + 203 colour ill., 210 x 297 mm, 2016 ISBN: 978-2-503-55531-7 Languages: English, Middle Dutch Hardback The publication is available. Retail price: EUR 190,00 excl. tax print Share/Save/Bookmark The first published monograph on the Antwerp painter Jan de Beer (c.1475-1527 /28), with an oeuvre catalogue The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous forty years after his death, but then fell into oblivion until the early twentieth century. This monograph is the first published, comprehensive study of his art and career. Its biography is the result of a thorough search of the archives and includes a recently discovered teaching contract with Lieven van Male of Ghent. All documents are fully transcribed, including documents for the artist's painter-son, Aert de Beer (c.1508-1538/40). Results from technical studies of the artist's work, including underdrawings and dendrochronological dating, are incorporated throughout the book. The artist's surviving oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window in Antwerp Cathedral after a lost design. De Beer's stylish, elegant art exerted a powerful appeal upon the buying public, churches abroad, and copyists. His lost Adoration of the Magi was the best-selling painting design in Antwerp at the time. De Beer is further important as one of only two Antwerp artists of his generation for whom a significant body of drawings exists. The catalogue of paintings and drawings by the artist and his workshop, including the numerous copies and variants, comes to over 170 works. De Beer's art is typically associated with the work of the Antwerp Mannerists, a prominent group of painters active in the city during his lifetime. This study argues that De Beer's work, plus that of the Mannerists and the city's retable carvers, should be understood as a novel, modern expression of late Gothic art, a sixteenth-century renewal of the Gothic mode that was also manifested in contemporary architecture, calligraphy, music and poetry. Dan Ewing (1949) completed his dissertation on Jan de Beer at the University of Michigan in 1978. He is Professor of Art History at Barry University in Miami Shores, Florida, and has published on De Beer, Jan van Eyck, and Michelangelo. In 1990 his archival study of the Antwerp Cathedral account books for the Pand art market, 1460-1560, was published in The Art Bulletin. In 2005 he was a contributing author for the Antwerp exhibition, ExtravagAnt! A Forgotten Chapter of Antwerp Art, 1500-1530. He contributed to the 2007 Patinir exhibition in Madrid and the 2011 Joos van Cleve exhibition in Aachen. Among his many research grants are an award from the Samuel H. Kress Foundation and two awards from the National Endowment for the Humanities. Interest Classification: Fine Arts & Performing Arts Art History (general) Renaissance art history Medieval & Renaissance History (c.400-1500) The Renaissance world (c.1450-1550) : specific topics Size: 210 x 297 mm.

Alphen aan den Rijn (Netherlands), Canaletto, 1994, 2 vols, large in-4°, together viii + 438 pp and over 700 ills. and plates, bibliography, indexes, publisher's gilt cloth, dustwrappers, text in English, nearly mint copies.