Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 8,32
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Textbooks_Source, Columbia, MO, Estados Unidos de America
EUR 12,66
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Idioma: Inglés
Publicado por University of Pennsylvania Press September 2012, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Eagle Eye Books, Decatur, GA, Estados Unidos de America
EUR 13,52
Cantidad disponible: 1 disponibles
Añadir al carritoPaper Back. Condición: Used.
Idioma: Inglés
Publicado por University of Pennsylvania Press, Philadelphia, PA, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Hourglass Books, Vancouver, BC, Canada
EUR 27,05
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good+. American First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white reproductions of drawings and paintings. Book.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: HPB-Red, Dallas, TX, Estados Unidos de America
EUR 23,90
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 30,97
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: California Books, Miami, FL, Estados Unidos de America
EUR 33,36
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Pennsylvania Press, Philadelphia, 2011
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Daedalus Books, Portland, OR, Estados Unidos de America
Miembro de asociación: CBA
Original o primera edición
EUR 28,36
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Fine. First Edition. A nice, bright copy. ; Material Texts; B&W Illustrations; 8.9 X 6.0 X 1.0 inches; 368 pages.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 32,47
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
EUR 36,06
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very Good. Advance Reader's Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Idioma: Inglés
Publicado por University of Pennsylvania Press, Philadelphia & Oxford, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: NWJbooks, Lancaster, PA, Estados Unidos de America
Original o primera edición
EUR 27,05
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First printing. Black covers in a black & white pictorial dust jacket. 8vo, 384 pages.
Idioma: Inglés
Publicado por University of Pennsylvania Press, US, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 37,21
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 35,33
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: PAPER CAVALIER UK, London, Reino Unido
EUR 39,33
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.
Idioma: Inglés
Publicado por University of Pennsylvania Press 9/10/2012, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 47,54
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback or Softback. Condición: New. Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending. Book.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Majestic Books, Hounslow, Reino Unido
EUR 40,06
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 384 24 Illus.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 38,30
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. The author of the hugely influential The Printing Press as an Agent of Change offers a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Series: Material Texts. Num Pages: 384 pages, 24 illus. BIC Classification: TDPP. Category: (U) Tertiary Education (US: College). Dimension: 229 x 158 x 24. Weight in Grams: 608. . 2012. Paperback. . . . .
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 33,47
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 33,48
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: Fireside Bookshop, Stroud, GLOS, Reino Unido
Miembro de asociación: PBFA
Original o primera edición
EUR 24,16
Cantidad disponible: 1 disponibles
Añadir al carritohardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 37,67
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 47,80
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. The author of the hugely influential The Printing Press as an Agent of Change offers a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Series: Material Texts. Num Pages: 384 pages, 24 illus. BIC Classification: TDPP. Category: (U) Tertiary Education (US: College). Dimension: 229 x 158 x 24. Weight in Grams: 608. . 2012. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 56,31
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 384.
Idioma: Inglés
Publicado por Univ of Pennsylvania Pr, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Revaluation Books, Exeter, Reino Unido
EUR 46,95
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 384 pages. 9.25x6.00x1.00 inches. In Stock.
Idioma: Inglés
Publicado por UNIVERSITY OF PENNSYLVANIA PRESS, PHILADELPHIA, PA, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: Pórtico [Portico], ZARAGOZA, Z, España
EUR 42,40
Cantidad disponible: 1 disponibles
Añadir al carritoTapa blanda. Condición: New. EISENSTEIN, E. L.: DIVINE ART, INFERNAL MACHINE. THE RECEPTION OF PRINTING IN THE WEST FROM FIRST IMPRESSIONS TO THE SENSE OF AN ENDING [HA. PHILADELPHIA, PA, 2011, xiii 368 p. figuras, 750 gr. Encuadernacion original. Nuevo. (VA-1-4) 750 gr. Libro.
Idioma: Inglés
Publicado por University of Pennsylvania Press, US, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 38,99
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.
Idioma: Inglés
Publicado por UNIV OF PENNSYLVANIA PR, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: moluna, Greven, Alemania
EUR 37,26
Cantidad disponible: Más de 20 disponibles
Añadir al carritoKartoniert / Broschiert. Condición: New. The author of the hugely influential The Printing Press as an Agent of Change offers a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in wh.
Idioma: Inglés
Publicado por University Of Pennsylvania Press Sep 2012, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 47,56
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a 'divine art' by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.
Idioma: Inglés
Publicado por University of Pennsylvania Press, 2011
ISBN 10: 0812242807 ISBN 13: 9780812242805
Librería: The Book Spot, Sioux Falls, MN, Estados Unidos de America
EUR 135,24
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: New.
Idioma: Inglés
Publicado por Univ of Pennsylvania Pr, 2012
ISBN 10: 0812222164 ISBN 13: 9780812222166
Librería: Revaluation Books, Exeter, Reino Unido
EUR 35,91
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 384 pages. 9.25x6.00x1.00 inches. In Stock. This item is printed on demand.