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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
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Añadir al carritoHardcover. Condición: new. Hardcover. This book will be the first major monograph on the work of Haines's oeuvre, which builds on the evolution of Modernism as much as it harkens back to the Bronze Age. The clearest expression of this is a series of 1,000 elemental bronze "artifacts" he has created over the course of nearly fifty years, to which he contributes yearly, ranging from palm-size to colossal outdoor works. He calls this output "a personal archaeology," or "an archaeology of the subconscious," referencing ancient tools, animal and human shapes, and the synchronicity of antique forms with the purely abstract.Haines's interest in psychology and anthropology has deeply informed his art. Working in a Modernist tradition, his career has pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. As Haines sees it, one of the satisfactions of sculpture is that ideas such as wholeness, beauty, and timelessness can be expressed without words and one of the critical elements of this wordless communication is negative space. Thus, the doorways, windows, and silhouettes of his sculptures can suggest an area larger than the sculpture itself.Born in 1942, Haines grew up in Ohio. He holds a Bachelor of Arts degree from the University of Colorado, Boulder, a Master of Business Administration from Harvard University, and he is a graduate of the School of the Museum of Fine Arts in Boston. He is a founding member of the Boston Sculptors Gallery and co-founder of the Vermont Gentlemen's Foundry. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts, and the Chen Yunxian Museum in Nanchang, China, among other collections in Boston, New York, and South Korea. Haines lives and works in Cambridge, Massachusetts. This book will be the first major monograph of the work of Peter DeCamp Haines, whose oeuvre in sculpture builds on the evolution of Modernism while it simultaneously harkens back to the Bronze Age. Working in a Modernist tradition, his career has pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: ANARTIST, New York, NY, Estados Unidos de America
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Añadir al carritoHardcover without dustjacket as issued, 156 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Añadir al carritoBuch. Condición: Neu. Neuware - This book will be the first major monograph on the work of Haines's oeuvre, which builds on theevolution of Modernism as much as it harkens back to the Bronze Age. The clearest expression of this isa series of 1,000 elemental bronze 'artifacts' he has created over the course of nearly fifty years, towhich he contributes yearly, ranging from palm-size to colossal outdoor works. He calls this output 'apersonal archaeology,' or 'an archaeology of the subconscious,' referencing ancient tools, animal andhuman shapes, and the synchronicity of antique forms with the purely abstract.Haines's interest in psychology and anthropology has deeply informed his art. Working in a Modernisttradition, his career has pursued a continuing exploration of the formal attributes of sculpture: form,scale, negative space, and composition. As Haines sees it, one of the satisfactions of sculpture is thatideas such as wholeness, beauty, and timelessness can be expressed without words and one of thecritical elements of this wordless communication is negative space. Thus, the doorways, windows, andsilhouettes of his sculptures can suggest an area larger than the sculpture itself.Born in 1942, Haines grew up in Ohio. He holds a Bachelor of Arts degree from the University ofColorado, Boulder, a Master of Business Administration from Harvard University, and he is a graduate ofthe School of the Museum of Fine Arts in Boston. He is a founding member of the Boston SculptorsGallery and co-founder of the Vermont Gentlemen's Foundry. His work has been shown in numeroussolo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord,Massachusetts, and the Chen Yunxian Museum in Nanchang, China, among other collections in Boston,New York, and South Korea. Haines lives and works in Cambridge, Massachusetts.
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Añadir al carritoHardcover. Condición: new. Hardcover. The first major monograph on Peter DeCamp Haines, this title explores how the sculptor's interest in psychology and anthropology deeply informed his art.This book is the first major monograph on the work of Peter DeCamp Haines (March 27, 1942October 25, 2024), which builds on the evolution of Modernism as much as it harkens back to the Bronze Age. The clearest expression of this is a series of 1,000 elemental bronze "artifacts" he created over the course of nearly fifty years, to which he contributed yearly, ranging from palm-size pieces to colossal outdoor works. He called this output "a personal archaeology," or "an archaeology of the subconscious," referencing ancient tools, animal and human shapes, and the synchronicity of antique forms with the purely abstract.Haines's interest in psychology and anthropology deeply informed his art. Working in a Modernist tradition, his career pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. As Haines saw it, one of the satisfactions of sculpture is that ideas such as wholeness, beauty, and timelessness can be expressed without words and one of the critical elements of this wordless communication is negative space. Thus, the doorways, windows, and silhouettes of his sculptures can suggest an area larger than the sculpture itself. This book will be the first major monograph of the work of Peter DeCamp Haines, whose oeuvre in sculpture builds on the evolution of Modernism while it simultaneously harkens back to the Bronze Age. Working in a Modernist tradition, his career has pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: CitiRetail, Stevenage, Reino Unido
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Añadir al carritoHardcover. Condición: new. Hardcover. The first major monograph on Peter DeCamp Haines, this title explores how the sculptor's interest in psychology and anthropology deeply informed his art.This book is the first major monograph on the work of Peter DeCamp Haines (March 27, 1942October 25, 2024), which builds on the evolution of Modernism as much as it harkens back to the Bronze Age. The clearest expression of this is a series of 1,000 elemental bronze "artifacts" he created over the course of nearly fifty years, to which he contributed yearly, ranging from palm-size pieces to colossal outdoor works. He called this output "a personal archaeology," or "an archaeology of the subconscious," referencing ancient tools, animal and human shapes, and the synchronicity of antique forms with the purely abstract.Haines's interest in psychology and anthropology deeply informed his art. Working in a Modernist tradition, his career pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. As Haines saw it, one of the satisfactions of sculpture is that ideas such as wholeness, beauty, and timelessness can be expressed without words and one of the critical elements of this wordless communication is negative space. Thus, the doorways, windows, and silhouettes of his sculptures can suggest an area larger than the sculpture itself. This book will be the first major monograph of the work of Peter DeCamp Haines, whose oeuvre in sculpture builds on the evolution of Modernism while it simultaneously harkens back to the Bronze Age. Working in a Modernist tradition, his career has pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.