Isbn: 9789383098019 (2 resultados)

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    • Idioma: Inglés

      Editorial: Niyogi Books, 2013

      9383098015 / 9789383098019

      • Tapa dura

      Librería: Books in my Basket, New Delhi, IndiaBooks in my Basket

      Vendedor de 5 estrellas
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      Condición: Nuevo

      EUR 16,33

      Envío por EUR 18,00 
      Se envía de India a Estados Unidos de America

      Cantidad disponible: 2 disponibles

      Hardcover. Condición: New. ISBN:9789383098019,160pp.

    • Editorial: Niyogi Books, 2013

      9383098015 / 9789383098019

      • Tapa blanda
      • Primera edición

      Librería: Vedams eBooks (P) Ltd, New Delhi, IndiaVedams eBooks (P) Ltd

      Vendedor de 4 estrellas
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      Condición: Nuevo

      EUR 36,65

      Envío por EUR 17,50 
      Se envía de India a Estados Unidos de America

      Cantidad disponible: 1 disponibles

      Soft cover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons. Making Faces tells the story of these god-makers, the gods they make, and the communities that participate in the creative process and its accompanying rituals. For the author, the process of learning about Himachal, its art and artists, the people who make their home there, involved pursuing itinerant artists across difficult mountainous terrain with few, if any, means of communication between the thinly populated, high-altitude villages. The harsh geography of the region permits scant travel, and the itinerant artisan forms a critical link to the world outside; villages that commission mohras are often populated by a small number of families. Alka Hingorani evokes this world in rich visual and descriptive detail as she explores the ways in which both object and artisan are received and their identities transformed during a period of artistic endeavor. Making Faces is an original and evocative account, superbly illustrated, of the various phases in the life cycle of a mohra, at different times a religious icon, an art object and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history and South Asian studies.