Idioma: Inglés
Publicado por L'Erma Di Bretschneider, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 99,52
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. This dissertation is an interdisciplinary study of the Rex Trueform garment manufacturing factory in Salt River, Cape Town. It follows the narrative of the site from the date of completion of the first factory in 1938 up until conversion of the site into an office park in 2013. Architecturally, the buildings are key works by pioneer modernist architects, Policansky, Andrews and Niegeman. The analysis of the form and the space of the buildings is interlocked with an analysis of the conditions within which these distinct buildings were conceived and built. As 20th century industrial buildings in Cape Town, they are representative of a particular kind of modernity, one that is entangled with constructions of race, class and gender. The dissertation looks at how particular notions of race, class and gender were constructed, materialised and inscribed in the architectural form and space. The buildings are a primary archival source, but conversational interviews with exworkers begin to give a glimpse of what it was like to work for Rex Trueform, considered as a significant company in the clothing manufacturing industry. Visual material, drawings and film footage, tracks the architectural development of the site, linking it with key moments in the political life of South Africa. This raises questions around the relationship between the apartheid state-endorsed white capital and disenfranchised black labour. Race and identity is a key theme, questioning the role that industry, sociology and apartheid played in the constructions and stabilising thereof with the Cape factory as a primary site. The buildings, situated both in the historical time as well as in the contemporary postapartheid framework, offer multiple readings of how space and architecture contributed towards ascribing identities onto people and how these ascribed identities were and are being contested and disrupted. The dissertation thus raises questions of how the modern city of Cape Town was produced by looking at some of the socio-political conditions under which Rex Trueform, a major industrial site, was developed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por L'Erma Di Bretschneider, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: Revaluation Books, Exeter, Reino Unido
EUR 121,55
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 150 pages. 9.25x8.00x0.50 inches. In Stock.
Idioma: Inglés
Publicado por L ERMA DI BRETSCHNEIDER, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: moluna, Greven, Alemania
EUR 92,82
Cantidad disponible: 1 disponibles
Añadir al carritoKartoniert / Broschiert. Condición: New.
Idioma: Inglés
Publicado por L'Erma Di Bretschneider, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 181,01
Cantidad disponible: 10 disponibles
Añadir al carritoCondición: New. 2017. paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por L'Erma Di Bretschneider, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 172,22
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. This dissertation is an interdisciplinary study of the Rex Trueform garment manufacturing factory in Salt River, Cape Town. It follows the narrative of the site from the date of completion of the first factory in 1938 up until conversion of the site into an office park in 2013. Architecturally, the buildings are key works by pioneer modernist architects, Policansky, Andrews and Niegeman. The analysis of the form and the space of the buildings is interlocked with an analysis of the conditions within which these distinct buildings were conceived and built. As 20th century industrial buildings in Cape Town, they are representative of a particular kind of modernity, one that is entangled with constructions of race, class and gender. The dissertation looks at how particular notions of race, class and gender were constructed, materialised and inscribed in the architectural form and space. The buildings are a primary archival source, but conversational interviews with exworkers begin to give a glimpse of what it was like to work for Rex Trueform, considered as a significant company in the clothing manufacturing industry. Visual material, drawings and film footage, tracks the architectural development of the site, linking it with key moments in the political life of South Africa. This raises questions around the relationship between the apartheid state-endorsed white capital and disenfranchised black labour. Race and identity is a key theme, questioning the role that industry, sociology and apartheid played in the constructions and stabilising thereof with the Cape factory as a primary site. The buildings, situated both in the historical time as well as in the contemporary postapartheid framework, offer multiple readings of how space and architecture contributed towards ascribing identities onto people and how these ascribed identities were and are being contested and disrupted. The dissertation thus raises questions of how the modern city of Cape Town was produced by looking at some of the socio-political conditions under which Rex Trueform, a major industrial site, was developed. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por L'Erma Di Bretschneider, 2017
ISBN 10: 8891312460 ISBN 13: 9788891312464
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 207,88
Cantidad disponible: 10 disponibles
Añadir al carritoCondición: New. 2017. paperback. . . . . .