ISBN: 9788881586622 - fortunate objects-objetos afortunados. ediz. multilingue (11 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

Hardcover without dustjacket as issued, 160 pages; in English and Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Very Good. Bilingual. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condición: New. NEW, shipped from the UK.

Paperback. Condición: Good. Oversized paperback. French flaps. Bilingual text. Superficial mark on covers. Upper and lower edges, corners and spine ends are lightly bumped and rubbed. Contents are sound, clean, clear. BW. Used.

Brossura. Condición: fine. Miami, Cisneros Fontanais Foundation, December 5, 2007 - February 17, 2008.Edited by Cecilia Fajardo-Hill.Multilingual Text.Milano, 2007; paperback, pp. 159, 179 b/w and col. ill., cm 23,5x29. Fortunate Objects places the well-worn Duchampian readymade within a fresh international context. Published to coincide with the eponymous early-2008 exhibition at Miami's Cisneros Fontanals Art Foundation, which was founded in 2002 to support challenging emerging and mid-career contemporary artists from Latin America, it includes works in many media by artists from around the globe--as long as their work illustrates one of three themes: the Appropriated Object, the Surrogate Object or the Object Utilized. One "appropriated object" is Ai Weiwei's 2003 "Forever Bicycles," a mass of bikes, each attached to its neighbor's wheel, that form a near-perfect circle, serving as an update of Duchamp's groundbreaking "Bicycle Wheel" of 1913. Fortunate Objects showcases works by artists less known in the U.S., like Argentinean Marcela Astorga, Venezuelan Jose Antonio-Hernandez-Diez and Panama-based Donna Conlon, alongside international figures like Olafur Elliason, Gabriel Orozco, Hiroshi Sugimoto, Mona Hatoum and Damien Hirst, demonstrating that "readymade" translates differently, depending on the language in which it's said. Libro.…

Condición: BUONO USATO. Da revisionare INTERLINGUE A cura di Cecilia Fajardo-Hil. Brossura editoriale con risvolti, con lievi segni d'uso. Interno in buono stato di conservazione, cerniera salda, pagine ben conservate, minimamente ingiallite dal tempo, con ampio margine, arricchite da immagini a colori ed in bianco e nero. Taglio inferiore con lievi segni d'uso. Numero pagine 159.…

Condición: new.

Condición: Good. 4to. Soft Cover [ca. 160 pp.] B&W and Color Plates. As New, still in Shrink Wrap.Multi Lingual Text.

Paperback. Condición: New. Fortunate Objects places the well-worn Duchampian readymade within a fresh international context. Published to coincide with the eponymous early-2008 exhibition at Miami's Cisneros Fontanals Art Foundation, which was founded in 2002 to support challenging emerging and mid-career contemporary artists from Latin America, it includes works in many media by artists from around the globe--as long as their work illustrates one of three themes: the Appropriated Object, the Surrogate Object or the Object Utilized. One "appropriated object" is Ai Weiwei's 2003 "Forever Bicycles," a mass of bikes, each attached to its neighbor's wheel, that form a near-perfect circle, serving as an update of Duchamp's groundbreaking "Bicycle Wheel" of 1913. Fortunate Objects showcases works by artists less known in the U.S., like Argentinean Marcela Astorga, Venezuelan Jose Antonio-Hernandez-Diez and Panama-based Donna Conlon, alongside international figures like Olafur Elliason, Gabriel Orozco, Hiroshi Sugimoto, Mona Hatoum and Damien Hirst, demonstrating that "readymade" translates differently, depending on the language in which it's said.…