9788415427971 - Concrete Invention. Colección Patricia Phelps de Cisneros: Patricia Phelps de Cisneros Collection (SIN COLECCION) (14 resultados)

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

paperback. Condición: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condición: New. Ships Out Tomorrow!

Condición: New.

Condición: As New. Unread book in perfect condition.

Softcover. A construction-orange softcover book with French flaps. The title is printed in white across the front cover and along the spine. Pages: (~28), 7-195, (8). Profusely illustrated with many color and true-tone images. At the beginning of the book, there are several foldouts to form a "series of geometric-abstract gatefolds designed for the catalogue by José León Cerrillo." "The profile of Latin American abstract art in North America and Europe has dramatically increased over the past decade or so, thanks in large part to the activities of the Patricia Phelps de Cisneros Collection. However, this is the first publication to specifically address the Concrete and Neoconcrete movements, spanning the 1930s through to the 1970s, and focusing on centers of activity throughout Latin America, in cities such as Montevideo, Buenos Aires, São Paulo, Rio de Janeiro and Caracas. In these decades, artists such as Lygia Clark, Hélio Oiticica, Lygia Pape, Jesús Soto, Carlos Cruz-Diez, Judith Lauand, Geraldo de Barros, Hermelindo Fiaminghi, Luiz Sacilotto, Willys de Castro and Ferreira Gullar infused European Concrete art with fresh energy and warmth, extending it into the realms of performance and interactive sculpture (as seen in the works of Clark, Pape and Oiticica). The book organizes this rich range of work into five thematic sections: "Geometry," "Illusion," "Dialogue," "Vibration" and "Universalism." Accompanying an exhibition at the Reina Sofía, Concrete Invention also includes texts by several of the artists; an essay by sound artist and scholar Steve Roden; a questionnaire on the legacy of these movements answered by Luis Camnitzer, Jesús Carillo, Sofia Hernández Chong Cuy and Ana Longoni; and a series of geometric-abstract gatefolds designed for the catalogue by José León Cerrillo." VG+: A bool in excellent condition that appears it was rarely, if ever, taken from the shelf.

Paperback. Condición: new. Paperback. The profile of Latin American abstract art in North America and Europe has dramatically increased over the past decade or so, thanks in large part to the activities of the Patricia Phelps de Cisneros Collection. However, this is the first publication to specifically address the Concrete and Neoconcrete movements, spanning the 1930s through to the 1970s, and focusing on centers of activity throughout Latin America, in cities such as Montevideo, Buenos Aires, S o Paulo, Rio de Janeiro and Caracas. In these decades, artists such as Lygia Clark, H lio Oiticica, Lygia Pape, Jes s Soto, Carlos Cruz-Diez, Judith Lauand, Geraldo de Barros, Hermelindo Fiaminghi, Luiz Sacilotto, Willys de Castro and Ferreira Gullar infused European Concrete art with fresh energy and warmth, extending it into the realms of performance and interactive sculpture (as seen in the works of Clark, Pape and Oiticica). The book organizes this rich range of work into five thematic sections: "Geometry," "Illusion," "Dialogue," "Vibration" and "Universalism." Accompanying an exhibition at the Reina Sof a, Concrete Invention also includes texts by several of the artists; an essay by sound artist and scholar Steve Roden; a questionnaire on the legacy of these movements answered by Luis Camnitzer, Jes s Carillo, Sofia Hern ndez Chong Cuy and Ana Longoni; and a series of geometric-abstract gatefolds designed for the catalogue by Jos Le n Cerrillo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 195 pages. 9.75x8.00x0.75 inches. In Stock.

Paperback. Condición: new. Paperback. The profile of Latin American abstract art in North America and Europe has dramatically increased over the past decade or so, thanks in large part to the activities of the Patricia Phelps de Cisneros Collection. However, this is the first publication to specifically address the Concrete and Neoconcrete movements, spanning the 1930s through to the 1970s, and focusing on centers of activity throughout Latin America, in cities such as Montevideo, Buenos Aires, S o Paulo, Rio de Janeiro and Caracas. In these decades, artists such as Lygia Clark, H lio Oiticica, Lygia Pape, Jes s Soto, Carlos Cruz-Diez, Judith Lauand, Geraldo de Barros, Hermelindo Fiaminghi, Luiz Sacilotto, Willys de Castro and Ferreira Gullar infused European Concrete art with fresh energy and warmth, extending it into the realms of performance and interactive sculpture (as seen in the works of Clark, Pape and Oiticica). The book organizes this rich range of work into five thematic sections: "Geometry," "Illusion," "Dialogue," "Vibration" and "Universalism." Accompanying an exhibition at the Reina Sof a, Concrete Invention also includes texts by several of the artists; an essay by sound artist and scholar Steve Roden; a questionnaire on the legacy of these movements answered by Luis Camnitzer, Jes s Carillo, Sofia Hern ndez Chong Cuy and Ana Longoni; and a series of geometric-abstract gatefolds designed for the catalogue by Jos Le n Cerrillo. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Kartoniert / Broschiert. Condición: New.