Isbn: 9788187737223 - indian art ii: inventing/inverting traditions (3 resultados)

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    Idioma: Inglés

    Editorial: Vadehra Art Gallery, United Kingdom, 2006

    8187737220 / 9788187737223

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    • Primera edición

    Librería: Pendleburys - the bookshop in the hills, Llanwrda, Reino UnidoPendleburys - the bookshop in the hills

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    Condición: Usado - Bueno

    EUR 20,67

    Envío por EUR 13,61 
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    Cantidad disponible: 1 disponible

    hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. hardback, quarto, grey cloth lettered white, a very good tightly bound copy with a clean and unmarked text and in a very well preserved dust jacket, illustrated in colour and b&w.

  • Idioma: Inglés

    Editorial: Vadehra Art Gallery (Acc), 2010

    8187737220 / 9788187737223

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    Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books

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    Condición: Usado - Como Nuevo

    EUR 119,48

    Envío por EUR 29,59 
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    Cantidad disponible: 1 disponible

    Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

  • Idioma: Inglés

    Editorial: Art Gallery, 2006

    8187737220 / 9788187737223

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    Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS

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    Condición: Nuevo

    EUR 1823,77

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    Cantidad disponible: 1 disponible

    Paperback. Condición: New. This book is a compilation of art work by various artists (15 artists) on a long standing engagement that has existed with the belief in the universal aspects of the modern , especially in art. Modernism was to be universal; its promises were spelt out in varied forms. They were to be carried out via the double edged means of modernization, and then modernity would come, we were told, in quaint and acceptable utopic terms. These are thoughts of the past era. Moderns, as it appears to us now is a set of differences played out in a variegated, undefined and as yet unformulated field of thoughts and actions. With the wane of the universal and centrist idea of modern , localized and received efforts came to the force, which in yester-year terms might seem only tales of reception and/or effects. They, today, work within the same field, which unites them, but, the irony present as ever. In India, a long standing engagement has existed with the belief in the universal aspects of the modern , especially in art, since art has addressed the universal through a language that gained world wide currency, historically, by the end of the second decade of the twentieth century and lingered on for about four more decades. Abstract though it may sound, this is, in a nutshell, the story of the received modernism in India. …