9786202601696 - FUNCTIONS AND EFFECTS OF FACE PAINTING IN KINOIS POPULAR THEATRE de Mpoyi, Nathan (7 resultados)

Condición: New.

Taschenbuch. Condición: Neu. Neuware -Inscribed in the systems of social communications, theatre remains in its practice that space which best imitates the animated forms of life, and transcends them by satisfying aesthetic aspirations. In the Democratic Republic of Congo, better in Kinshasa, this art, alongside dance and music, has become the spectacular and impressive form on which current Chinese culture is based because its so-called popular genre has left the theatres for television. By playing life, or rather, according to Jean-Louis Barrault, 'a game that reproduces life', some of the actors grimace to blend in and be permanently inhabited by an exaggeratedly made up character playing various roles. Our concern, beyond all this reality, is to grasp the role that the use of such a grimace permanently fills and the impact that this tool has on the actor to want to embody permanently the same character with the same make-up. This work comes to take up a challenge, that of finding, through spirit and culture, answers likely to draw attention to the wonders of the transmission and/or communication capacity of the Kinois jester.Books on Demand GmbH, Überseering 33, 22297 Hamburg 100 pp. Englisch.

Taschenbuch. Condición: Neu. FUNCTIONS AND EFFECTS OF FACE PAINTING IN KINOIS POPULAR THEATRE | Nathan Mpoyi | Taschenbuch | 100 S. | Englisch | 2020 | Our Knowledge Publishing | EAN 9786202601696 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Inscribed in the systems of social communications, theatre remains in its practice that space which best imitates the animated forms of life, and transcends them by satisfying aesthetic aspirations. In the Democratic Republic of Congo, better in Kinshasa, this art, alongside dance and music, has become the spectacular and impressive form on which current Chinese culture is based because its so-called popular genre has left the theatres for television. By playing life, or rather, according to Jean-Louis Barrault, 'a game that reproduces life', some of the actors grimace to blend in and be permanently inhabited by an exaggeratedly made up character playing various roles. Our concern, beyond all this reality, is to grasp the role that the use of such a grimace permanently fills and the impact that this tool has on the actor to want to embody permanently the same character with the same make-up. This work comes to take up a challenge, that of finding, through spirit and culture, answers likely to draw attention to the wonders of the transmission and/or communication capacity of the Kinois jester. 100 pp. Englisch.

Condición: New. Print on Demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Inscribed in the systems of social communications, theatre remains in its practice that space which best imitates the animated forms of life, and transcends them by satisfying aesthetic aspirations. In the Democratic Republic of Congo, better in Kinshasa, t.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Inscribed in the systems of social communications, theatre remains in its practice that space which best imitates the animated forms of life, and transcends them by satisfying aesthetic aspirations. In the Democratic Republic of Congo, better in Kinshasa, this art, alongside dance and music, has become the spectacular and impressive form on which current Chinese culture is based because its so-called popular genre has left the theatres for television. By playing life, or rather, according to Jean-Louis Barrault, 'a game that reproduces life', some of the actors grimace to blend in and be permanently inhabited by an exaggeratedly made up character playing various roles. Our concern, beyond all this reality, is to grasp the role that the use of such a grimace permanently fills and the impact that this tool has on the actor to want to embody permanently the same character with the same make-up. This work comes to take up a challenge, that of finding, through spirit and culture, answers likely to draw attention to the wonders of the transmission and/or communication capacity of the Kinois jester.