Isbn: 9783964360526 - poems and parables on the political utility of art (13 resultados)

Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt, 2021
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt), DE, 2021
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Like a donkey dressed in zebra's clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art's political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art's transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune.…

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt, 2021
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt), 2021
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Like a donkey dressed in zebras clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of arts political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining arts transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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Condición: New. 2021. paperback. . . . . .

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Condición: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt, 2021
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt), 2021
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. Like a donkey dressed in zebras clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of arts political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining arts transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Librería: Gazelle Books, Lancaster, LANCA, Reino UnidoGazelle Books
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Paperback. Condición: New. New Book, Direct from Publisher.

Idioma: Inglés
Editorial: BOM DIA BOA TARDE BOA NOITE UG (haftungsbeschrankt), DE, 2021
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 16,66
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Paperback. Condición: New. Like a donkey dressed in zebra's clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.Poems and Parables on the Political Utility of Art is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art's political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art's transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune.…