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Añadir al carritoPaperback. Condición: new. Paperback. In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schoenberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumanns work Ruinenwert (2019), Schoenbergers research on Albert Speer, and Brandolinis postmodernist design theory.In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings.Angela Schoenberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis crimes and on Albert Speers theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schoenberger was director of the Berlin State Museums Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010.Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbruecken and Petit-Rederching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for stories and adamantly rejects the dictates of functionalism. In Tumbling Ruins, the artist Henrike Naumann and the art historian Angela Schoenberger develop a collaborative project that draws discursive connections between Naumanns work Ruinenwert (2019) and Schoenbergers research. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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ISBN 10: 3954763591 ISBN 13: 9783954763597
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Añadir al carritoPaperback. Condición: new. Paperback. In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schoenberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumanns work Ruinenwert (2019), Schoenbergers research on Albert Speer, and Brandolinis postmodernist design theory.In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings.Angela Schoenberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis crimes and on Albert Speers theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schoenberger was director of the Berlin State Museums Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010.Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbruecken and Petit-Rederching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for stories and adamantly rejects the dictates of functionalism. In Tumbling Ruins, the artist Henrike Naumann and the art historian Angela Schoenberger develop a collaborative project that draws discursive connections between Naumanns work Ruinenwert (2019) and Schoenbergers research. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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ISBN 10: 3954763591 ISBN 13: 9783954763597
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Añadir al carritoPaperback. Condición: new. Paperback. In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schoenberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumanns work Ruinenwert (2019), Schoenbergers research on Albert Speer, and Brandolinis postmodernist design theory.In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings.Angela Schoenberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis crimes and on Albert Speers theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schoenberger was director of the Berlin State Museums Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010.Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbruecken and Petit-Rederching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for stories and adamantly rejects the dictates of functionalism. In Tumbling Ruins, the artist Henrike Naumann and the art historian Angela Schoenberger develop a collaborative project that draws discursive connections between Naumanns work Ruinenwert (2019) and Schoenbergers research. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Publicado por Distanz Publishing, DE, 2024
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