ISBN: 9783933807298 - fecit (9 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine copy in oblong hardcover with fine jacket.

Hardcover with dustjacket, unpaginated in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Oblong hardcover. Exhibition catalog for a show that ran September 17 through December 10, 2000. Text by Roland Monig, Guido de Werd and John Brogden in English and German. Includes numerous color illustrations. A fine copy in a fine dust jacket.

Hardcover. Condición: Like New. Like New. First Edition. First Edition, First Printing. Published by Richter Verlag Dusseldorf, 2000. Quarto. Brown boards stamped in maroon. Book is like new with no writing, and spine straight. Light bump to front bottom right corner, and minimal shelf wear. Dust jacket is like new with light rubbing at bottom of spine. Some residue from an old sticker on back cover. 72 pages. ISBN: 3933807298. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.…

hardcover. Condición: Sehr gut. 72 Seiten; 9783933807298.2 Gewicht in Gramm: 1.

Durchgehend bebildert. 65 S. 25 x 31 cm, Pp., OU. Leichte Gebrauchsspuren, sonst gut erhalten. Nachhaltige Buchlieferung - Stabile, plastikfreie Verpackung.

Hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first and only printing. Signed, dated 20.6.2004, and inscribed "Düsseldorf" in pencil on the half-title page by Hütte. Hardcover. Printed paper-covered boards, with photographically illustrated dust jacket. Photographs by Axel Hütte. Foreword by Guido De Werd. Essays (in English and German) by Guido De Werd and Roland Mönig. Includes a biography, exhibition history and bibliography. 72 pp., with 24 four-color plates. 9-5/8 x 12 inches. Published on the occasion of the 2000 exhibition Axel Hütte: Fecit at the Museum Kurhaus Kleve. Fine in Fine dust jacket. From the publisher: "German photographer Axel Hütte has developed in recent years a singular approach to his photographic compositions. His remarkably rich landscapes, flora, waterfalls, and bridges are all depicted with Hütte's signature elements: each focuses on a single motif: sky, water, or plant take up the entire image; they convey a sense of the infinite: the subject isn't framed, its position as sole element suggests its continuation out of the frame, on and on; geometric composition is a central theme in his works: he finds and represents the lines, circles, and repetitive shapes that exist in nature. The 24 photographs reproduced in Fecit were taken in his travels through Europe, South America, and Australia, and show a remarkable diversity of landscape. They alternate between a poetic peacefulness and a darker, edgier ambience, but they all reflect Hütte's unique approach. The title Fecit, a Latin-derived word conveying the idea of artistic ownership and the individual process of creation, was chosen by Hutte to suggest the artist's role in photography: the landscapes he shoots are there, but the various compositional elements that lead to the final result are the work of the individual, and there are an infinite number of choices for any particular subject. [Along with Andreas Gursky, Thomas Ruff, Candida Höfer and Thomas Struth, Axel Hütte studied with Bernd and Hilla Becher at the Kunstakademie Düsseldorf.]" Signed by Author. …

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 72 Seiten mit 24 vierfarbigen Abbildungen - Die in dieser Publikation vereinten 24 Bilder von Axel Hütte entstanden in drei Jahren auf verschiedenen Kontinenten, in Europa, Südamerika und Australien. Die Arbeiten zeigen bildfüllende Ausschnitte von Landschaften, Pflanzen, Wasserspiegelungen und Brücken, sind Stimmungsbilder, die ambivalent gelesen werden können. Auf der einen Seite strahlen sie eine poetische Ruhe aus, auf der anderen Seite etwas Geheimnisvolles und Unheimliches. Mit dem Titel der Ausstellung "fecit" verweist Hütte auf das Machen der Bilder und damit auf die künst-lerische Tradtion der Renaissance, als Künstler ein neues Selbstverständnis ihres Tuns entwickelten. Die Signatur des Künstlers weist ihn als Schöpfer des Bildes aus, der Zusatz "fecit" fixiert zusätzlich die künstlerische Urheberschaft. Für einen Photographen besteht das Machen der Bilder aus einem Knopfdruck zur richtigen Zeit und am richtigen Ort. Die Landschaft, das Motiv, ist da, während die Komposition, der Ausschnitt, die Beleuchtung und die Wirkung unverwechselbar durch den Autor bedingt sind.…