9783932565229 - Daring the Gap de Reudel, Martin (17 resultados)

Condición: New.

Hardback. Condición: New. Text in English and German. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by the rendel and spitz advertising agency since early 1999. The architects bandk+ hooked a few concrete floors into the walls of the adjacent buildings, made sure there were stairs and a bit of infrastructure, suspended a glass facade at the front and back -- finished. To give any curious or interested parties an impression of the building, it was cleared out for a week and used by three selected European designers for a comprehensive development on the theme of 'braving the gap'. The traditional disciplines of product, furniture and lighting design were complemented with contributions addressing the other senses: music and perfume. Johanna Grawunder (Milan) devised a light installation leading from a cold area by the entrance to a warm and comfortable rest area at the end of the space. Konstantin Grcic (Munich) filled the whole volume of the space with a pink ball that fitted into it exactly.Visitors had to show that they were prepared to brave the gap by squeezing between this 'puff ball' and the wall to get to the other side of the room. They were rewarded at the end by reaching the stainless steel fireplace by Timo Salli (Helsinki). The Dusseldorf firm aerome enhanced the installation with a variety of fragrances. Finally, the Hamburg photographer Uli Mattes recorded the whole project and provided his own interpretation of the work.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. Text in English and German. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by the rendel & spitz advertising agency since early 1999. The architects b&k+ hooked a few concrete floors into the walls of the adjacent buildings, made sure there were stairs and a bit of infrastructure, suspended a glass facade at the front and back -- finished. To give any curious or interested parties an impression of the building, it was cleared out for a week and used by three selected European designers for a comprehensive development on the theme of 'braving the gap'. The traditional disciplines of product, furniture and lighting design were complemented with contributions addressing the other senses: music and perfume. Johanna Grawunder (Milan) devised a light installation leading from a cold area by the entrance to a warm and comfortable rest area at the end of the space. Konstantin Grcic (Munich) filled the whole volume of the space with a pink ball that fitted into it exactly.Visitors had to show that they were prepared to brave the gap by squeezing between this 'puff ball' and the wall to get to the other side of the room.They were rewarded at the end by reaching the stainless steel fireplace by Timo Salli (Helsinki). The Dusseldorf firm aerome enhanced the installation with a variety of fragrances. Finally, the Hamburg photographer Uli Mattes recorded the whole project and provided his own interpretation of the work. A gap yawns between two buildings constructed in the 1960s.Nothing unusual.A gap 2.56m wide and around 33m long . Hardly wide enough to park a couple of bicycles. In many buildings this corresponds to the space required for thermal insulation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2001. Bilingual. Hardcover. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by an advertising agency since early 1999. This book records the whole project and provided an interpretation of the work. Editor(s): Rendel, Martin. Num Pages: 96 pages, 45 illustrations. BIC Classification: 1DFG; AMA; AMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 173 x 213 x 18. Weight in Grams: 372. . . . . .

Condición: New. 2001. Bilingual. Hardcover. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by an advertising agency since early 1999. This book records the whole project and provided an interpretation of the work. Editor(s): Rendel, Martin. Num Pages: 96 pages, 45 illustrations. BIC Classification: 1DFG; AMA; AMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 173 x 213 x 18. Weight in Grams: 372. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: Very Good.

Condición: As New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New.

Hardcover. Condición: new. Hardcover. Text in English and German. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by the rendel & spitz advertising agency since early 1999. The architects b&k+ hooked a few concrete floors into the walls of the adjacent buildings, made sure there were stairs and a bit of infrastructure, suspended a glass facade at the front and back -- finished. To give any curious or interested parties an impression of the building, it was cleared out for a week and used by three selected European designers for a comprehensive development on the theme of 'braving the gap'. The traditional disciplines of product, furniture and lighting design were complemented with contributions addressing the other senses: music and perfume. Johanna Grawunder (Milan) devised a light installation leading from a cold area by the entrance to a warm and comfortable rest area at the end of the space. Konstantin Grcic (Munich) filled the whole volume of the space with a pink ball that fitted into it exactly.Visitors had to show that they were prepared to brave the gap by squeezing between this 'puff ball' and the wall to get to the other side of the room.They were rewarded at the end by reaching the stainless steel fireplace by Timo Salli (Helsinki). The Dusseldorf firm aerome enhanced the installation with a variety of fragrances. Finally, the Hamburg photographer Uli Mattes recorded the whole project and provided his own interpretation of the work. A gap yawns between two buildings constructed in the 1960s.Nothing unusual.A gap 2.56m wide and around 33m long . Hardly wide enough to park a couple of bicycles. In many buildings this corresponds to the space required for thermal insulation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. New Book, Direct from Publisher.

Hardback. Condición: New. Text in English and German. A yawning gap between two 1960s buildings. Not at all unusual in Cologne. A gap between two buildings, 2,56 m wide and 33 m long. Scarcely wide enough to park a few bicycles. This gap has been used as an office by the rendel and spitz advertising agency since early 1999. The architects bandk+ hooked a few concrete floors into the walls of the adjacent buildings, made sure there were stairs and a bit of infrastructure, suspended a glass facade at the front and back -- finished. To give any curious or interested parties an impression of the building, it was cleared out for a week and used by three selected European designers for a comprehensive development on the theme of 'braving the gap'. The traditional disciplines of product, furniture and lighting design were complemented with contributions addressing the other senses: music and perfume. Johanna Grawunder (Milan) devised a light installation leading from a cold area by the entrance to a warm and comfortable rest area at the end of the space. Konstantin Grcic (Munich) filled the whole volume of the space with a pink ball that fitted into it exactly.Visitors had to show that they were prepared to brave the gap by squeezing between this 'puff ball' and the wall to get to the other side of the room. They were rewarded at the end by reaching the stainless steel fireplace by Timo Salli (Helsinki). The Dusseldorf firm aerome enhanced the installation with a variety of fragrances. Finally, the Hamburg photographer Uli Mattes recorded the whole project and provided his own interpretation of the work.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.