ISBN: 9783865602749 - stan douglas: secession: klatsassin (6 resultados)

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 4to. 87pp. Black cloth-covered boards with white lettering, in dust-jacket. Crisp, bright copy in new condition.

Hardcover. First edition. Near Fine hardcover with light bumping along the bottom edges of the boards in a Very Good+ dust jacket with one short tear/crease, a touch of shelf wear, and a tiny chip at one tip. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of work by the Canadian artist Stan Douglas, held at the Secession gallery, Vienna, November 24, 2006 - January 28, 2007. The book presents images from Douglas' film, Klatsassin, named for a Tsilhoqot'in Indian chief, as well as the screenplay, color landscapes, and portraits of the film's protagonists. Essay by Ariane Beyn. 88 pages; color and b&w plates throughout; 8.5 x 11.75 inches. Biography. Text in English and German except the screenplay which is in English only. LAID-IN is a magazine essay by Douglas about the movie.…

Hardcover. Condición: Gut. 87 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. N04208 9783865602749 Sprache: Englisch Gewicht in Gramm: 1050.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Near Fine hardcover in Near Fine- very lightly rubbed and edgeworn frosted-paper dust jacket. Tiny nicks and edgewear noted to base of dust jacket; price sticker residue on front face of dust jacket. A clean, lightly worn copy. …

Hardcover with dustjacket. Condición: Sehr gut. 88 p. Dt. / En. ISBN: 9783865602749 Sprache: Deutsch Gewicht in Gramm: 720.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 88 Seiten/pp. with 56 color & 11 black/white illustrations - Klatsassin refers to Akira Kurosawa s legendary film Rashomon (1950), famous for its multiple, contradictory portrayals of a murder. In Douglas s high-definition video, too, various individuals describe the same scene from their own point of view a man is found dead on a deserted path in the forest until it is impossible to know what has actually happened. Different threads of plot and time, changes of perspective, flashbacks and insertions turn an otherwise quite simple plot into a dense, many-layered whole which can never be totally grasped not least because of the seemingly endless combinatory possibilities for combining sequences of scenes, which only start to repeat themselves after six days.…