9783838345710 - Evolution Hybridity and Mutation Vol 2: Three Generations of Hybrid Performance Texts from Contemporary Bio-ethical Fables. Annotation to Creative Works de Fargher,... (9 resultados)

Condición: New. pp. 188.

Taschenbuch. Condición: Neu. Evolution Hybridity and Mutation Vol 2 | Three Generations of Hybrid Performance Texts from Contemporary Bio-ethical Fables. Annotation to Creative Works | Catherine Fargher | Taschenbuch | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838345710 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This is a theoretical annotation which supports Catherine's Doctorate of Creative Arts (DCA) creative submissions. Over the period of her Doctorate, (2002-2006) Catherine developed three Hybrid performance texts a radio script, a puppetry script and a bio-performance/installation from original bio-ethical fables. These fables explored the moral and bio-ethical issues associated with the complex Post-natural environments that we find ourselves living amidst in this century, and the futures they suggest. The scripts: Dr Egg and The Man With No Ear, BioHome and The Woman Who Knitted Herself a Child are discussed here in relation to creative process, as well as its theoretical context and implications. She uses biological concepts to chronicle her own creative processes. She argues that biological principles such as evolution, mutation, metamorphosis and hybridity within the natural and bio-technological realms have informed her creative practice. The annotation is in four parts, examining the underlying theory, the generation of the original fables, and the creative cultivation of two further generations of Hybrid performance works. 188 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Fargher CatherineCatherine has written many scripts for performance and radio including Dr Egg and the Man With No Ear, Sydney Opera House, BioHome, EAF (SA) and the Woman Who Knitted Herself a Child, ABC Radio National. She compl.

Condición: New. Print on Demand pp. 188 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 188.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This is a theoretical annotation which supports Catherine''s Doctorate of Creative Arts (DCA) creative submissions. Over the period of her Doctorate, (2002-2006) Catherine developed three Hybrid performance texts - a radio script, a puppetry script and a bio-performance/installation - from original bio-ethical fables. These fables explored the moral and bio-ethical issues associated with the complex Post-natural environments that we find ourselves living amidst in this century, and the futures they suggest. The scripts: Dr Egg and The Man With No Ear, BioHome and The Woman Who Knitted Herself a Child are discussed here in relation to creative process, as well as its theoretical context and implications. She uses biological concepts to chronicle her own creative processes. She argues that biological principles such as evolution, mutation, metamorphosis and hybridity within the natural and bio-technological realms have informed her creative practice. The annotation is in four parts, examining the underlying theory, the generation of the original fables, and the creative cultivation of two further generations of Hybrid performance works.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 188 pp. Englisch.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is a theoretical annotation which supports Catherine's Doctorate of Creative Arts (DCA) creative submissions. Over the period of her Doctorate, (2002-2006) Catherine developed three Hybrid performance texts a radio script, a puppetry script and a bio-performance/installation from original bio-ethical fables. These fables explored the moral and bio-ethical issues associated with the complex Post-natural environments that we find ourselves living amidst in this century, and the futures they suggest. The scripts: Dr Egg and The Man With No Ear, BioHome and The Woman Who Knitted Herself a Child are discussed here in relation to creative process, as well as its theoretical context and implications. She uses biological concepts to chronicle her own creative processes. She argues that biological principles such as evolution, mutation, metamorphosis and hybridity within the natural and bio-technological realms have informed her creative practice. The annotation is in four parts, examining the underlying theory, the generation of the original fables, and the creative cultivation of two further generations of Hybrid performance works.