Isbn: 9783791316055 - film architecture: from "metropolis" to "blade runner" (architecture & design s.) (14 resultados)

Hardback. Condición: Very Good. Through a series of contributions from major scholars, this book examines visionary architecture in films by focusing on original set designs from filmmakers across Europe and the United States. It is illustrated with many backdrops to famous movies.

Hardback. Condición: Very Good. Through a series of contributions from major scholars, this book examines visionary architecture in films by focusing on original set designs from filmmakers across Europe and the United States. It is illustrated with many backdrops to famous movies.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. In excellent condition, with both book and jacket clean & sharp, looking new. Oversize, heavy book.

hardcover. Condición: Good. Minor wear on edges and corners.Clean pages with no markings. The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters!Textbooks may not include supplemental items i.e. CDs, access codes etc.…

hardcover. Condición: Very Good. Prestel Verlag; Munich, 1996. Hardcover. Inscribed to Friedrich St. Florian (Austrian?born American architect best known for the Providence Place Mall and the National World War II Memorial in Washington, D.C.) and signed by Dietrich Neumann. Friedrich St. Florian red ink stamp bottom half title. A Very Good, black binding with white lettering on spine, binding sturdy and intact, fading along bottom front board edge and bottom spine edge, trace handling marks, few small scuff marks bottom text block edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 207pp., appendices, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Signed by Editor.…

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9783791316055.…

Hardcover. Condición: Very Good. Explores the vision of urban architecture in 20th century film. Profusely illustrated with film stills, production shots and drawings. Minor edge wear to dust jacket. Corners lightly bumped. No marks, inscriptions or fading to inside pages. Binding is firm. 207 pages. s121.…

dj. First Edition. First Edition. Small bump on the bottom right corner of the front board, else about Near Fine in a Near Fine dust jacket.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Hardcover in Near Fine Condition in Near Fine Dustjacket undee Brodart mylar. Clean & tight.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 207pp., Pictorial colour & b/w illustrated dustjacket covered in removable protective clear plastic, black cloth boards with white text to spine, black endpapers, b/w illust. frontis., col. & b/w plts. & text ills., full page illust., essays by Donald Albrecht- Anton Kaes- Dietrich Neumann- Anthony Vidler and Michael Webb, film synopses, bibliog. Film Architecture is fully illustrated with many memorable backdrops to famous movies. It combines original set design with publicity stills and prints from actual footage. It elucidates the role of both the set designer and the architect in the creation of a movie, documents the process from the initial sketch to the final product, and highlights the diverse and complex relationship between two leading artforms of our century, film and architecture. Size: Large Quarto. Book.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Very Good. Through a series of contributions from major scholars, this book examines visionary architecture in films by focusing on original set designs from filmmakers across Europe and the United States. The book begins with medievalizing, expressionistic and psychological sets for films, such as "The Cabinet of Dr Caligari" and "Algol", and moves on to experimental depictions of the anticipated modern city in such films as "Asphalt and Sunrise" and the dark view of the future in "Metropolis". The cinema of the Weimar Republic is taken as a case study, as both architecture and film played an important role in the social and cultural self-definition of the young state, which found itself searching for its own brand of modernity between neo-medievalism and Americanism. The text traces later responses to the early, far-reaching discussions about the relationship between film, architecture and the city by presenting original visionary designs for American films. "The Fountainhead" is shown as an example of how the ideology of modern architecture was presented to a mass audience in the United States. "Blade Runner" and "Batman" present a post-modern, dystopian view of the city following the earlier cinematic discussions of "Metropolis". "Dick Tracy" and "The Hudsucker Proxy" represent yet another approach, in their nostalgic reflections on an imaginary New York of the past. The book is illustrated with many familiar backdrops to famous movies. It combines original set designs with publicity stills and prints from actual footage. It elucidates the role of the set designer in the creation of a movie, documents the process from the initial sketch to the final product, and places set design in relation to contemporary architectural debates, illustrating its position relative to painting, stage design and architecture. The volume is published to coincide with an exhibition of the same name at Brown University in Providence, Rhode Island, at the Academy of Motion Pictures Exhibition Gallery in Los Angeles and at another key venue in the United States, before being shown at the Film and Architecture Museums in Frankfurt. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…