ISBN: 9783775726368 - just loomis as we are /anglais/allemand (12 resultados)

hardcover. Condición: Very Good. No dust jacket. The copy shows minor external wear, but is in otherwise clean condition.

Hardcover. Condición: Very Good. light shelfwear, NICE! Oversized.

Hardcover without dustjacket as issued, unpaginated, in English and German; very good condition except small crimp to lower right corner tip of cover and first couple pages; no internal marks. Foreign shipping may be extra.

Hardcover. Beige cloth and color-photographic boards with black stamped lettering. 118 pp. Mainly color illustrations. Just Loomis' first photographs were made in the mid-1970s, recording the railway lines and the casinos of his birthplace in Reno, Nevada; they tell of the highs and lows of everyday life in the American West. A former assistant and friend of Helmut Newton's, Loomis (born 1957) worked in the 1980s as a fashion photographer for magazines such as Harper's Bazaar and The New York Times Magazine. Turning to portraiture and documentary photography in 1990, Loomis began to make portrait photographs, in both black and white and in color, that show a raw and affectionate view of everyday life in America. -Amazon. VG- light corner bumping, minor scuffing/soiling, covers light bowed.…

Hardcover. Condición: Near Fine. 1st Edition. First Printing.

Condición: Used - Like New.

Condición: New.

Hardcover without dustjacket as issued, unpaginated, in English and German; as new condition; clean and crisp; signed by Just Loomis on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. 1st. Cloth, 118 pages, illustrations (chiefly colour); 29 cm. Text in English and German. Firm binding, clean inside copy. A large-format coffee-table book. Profusely illustrated. *** "Just Loomis' first photographs were made in the mid-1970s, recording the railway lines and the casinos of his birthplace in Reno, Nevada; they tell of the highs and lows of everyday life in the American West. A former assistant and friend of Helmut Newton's, Loomis (born 1957) worked in the 1980s as a fashion photographer for magazines such as Harper's Bazaar and The New York Times Magazine. Turning to portraiture and documentary photography in 1990, Loomis began to make portrait photographs, in both black and white and in color, that show a raw and affectionate view of everyday life in America: a waitress behind a counter in a Hollywood diner, a young couple exuding the bliss of early romance, or children caught in moments of play. From his earliest work through to this latest collection, the photographer's first monograph, Loomis' method has been to insist on the value and beauty of what lies immediately to hand, and to locate the moments that illuminate that fact for the viewer. As June Newton states, 'He understands these people, as he comes from the same place. These pictures are without artifice of any kind . . . I call them a perfect example of Americana today." - Publisher. Size: 4to. Collectible.…

Hardcover. Condición: Wie neu. erstausgabe. quart hardcover. neuwertiges exemplar. ungelesen, wie neu, gebundene ausgabe, foto-illustriertes original-halbleinen, 118 unpaginierte seiten mit zahlreichen abbildungen, texte in deutsch und englisch.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 120 Seiten/pp., 85 Abb./ills., half cloth - Just Loomis (*1957 in Reno, Nevada) produced his first photographs in the seventies between the railroad tracks and casinos of his birthplace, Reno, images that tell of life in this town in the American West. A former assistant and friend of Helmut Newton s, Loomis worked in the eighties as a fashion photographer for magazines such as Harper s Bazaar and The New York Times Magazine. Turning in 1990 to portraiture and documentary photography, his pictures present a raw and honest view of everyday life in America: a waitress behind the counter of a Hollywood fast-food restaurant, a young couple full of hope, or children caught in moments of transition. As June Newton states, He understands them, as he comes from the same place. These pictures are without artifice of any kind . . . . I call them a perfect example of Americana. …