ISBN: 9783775725378 - henri rousseau (fondation beyeler) /anglais: (e) (12 resultados)

hardcover. Condición: Good. Satisfaction 100% guaranteed.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Large hardback in near fine to fine condition with a very good dust jacket.

hardcover. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover, with dust jacket. 32x28 cm. Many ills in color. 119 p. -(In very good condition.). ISBN 9783775725378.

Encuadernación de tapa dura. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. 1ª Edición. 280 x 315mm 120pag. EXPO. FONDATION BEYELER. RIEHEN 2010. Esta monografía conmemora el centenario de la muerte de Henri Rosseau con ensayos de Philippe Büttner, Chistopher Green, Franz Hohler y Daniel Kramer. Presenta alrededor de 40 de sus pricipales pinturas además de reseñar toda su obra. Se centra principalmente en la fascinación de Rousseau por los contrastes - entre lo cotidiano y lo exótico, el animal domesticado y el salvaje - y cómo los traduce en su inimitable estilo de realismo mágico.…

Hardcover. Condición: Gut bis sehr gut. 1. Auflage. B : 28 x 32 cm, 120 pages, 87 color illustrations - This book commemorates the one-hundredth anniversary of the artist s death. With over eighty color illustrations of forty major works, the publication presents the essence of Rousseau s art of depiction. At its core is his fascination with the contradictory qualities of the tamed Western world and untamed, increasingly imaginary nature. Encounters with his works that have never before been presented make it possible to see Rousseau in an entirely new light. Going beyond the cliché of the great naïve painter, we discover a unique artist who opened up entirely new possibilities for modernity.…

Condición: Wie neu. 1. Aufl. 120 S. Geschenkqualität. Sehr schönes Exemplar - wie neu. Mit Schutzumschlag. The catalogue accompanying the exhibition at the Fondation Beyeler Commemorating the one-hundredth anniversary of the artist's death. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Englisch Gewicht in Gramm: 1202 Gebundene Ausgabe, Maße: 28.2 cm x 1.5 cm x 31.5 cm.…

Hardcover. Condición: New. Nicknamed "Le Douanier" ("the customs officer"), Henri Rousseau (1844-1910) was in his early forties when he finally embraced his metier in painting, arriving with his independently achieved realism fully formed. Like Erik Satie, whom he resembles in what Roger Shattuck memorably called "tranquil self-confidence," Rousseau straddles the Parisian avant gardes at the turn of the century, admired by Redon, Gauguin, Jarry and Degas at the outset of his career, and championed by Picasso, Apollinaire and Delaunay towards its close. Rousseau's style was derisively dubbed "Primitivism" by the press, but its lucid unity of limpid color and eerily serene definition was sophisticated in its simplicity, as his early advocates knew. Happily, Rousseau was so steeped in his vision that he could not be diverted from it--Apollinaire wrote that "Rousseau had so strong a sense of reality that when he painted a fantastic subject, he sometimes took fright and, trembling all over, had to open the window." With 80 color illustrations, this book commemorates the hundredth anniversary of the artist's death, placing at its core Rousseau's fascination with the frictions between a domesticated West and an untamed imaginary natural world. Previously unpublished records of early encounters with his works dimensionalize Rousseau within the lively milieu of his time, and show him to have been, from the start, a much beloved artist.…