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Añadir al carritoPaperback. Condición: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.
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Añadir al carritoPaperback. Condición: new. Paperback. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por Diaphanes AG 2023-10-20, 2023
ISBN 10: 3035806411 ISBN 13: 9783035806410
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Añadir al carritoKartoniert / Broschiert. Condición: New. Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art. It brings together essays of leading interna.
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Librería: Ammareal, Morangis, Francia
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Librería: AHA-BUCH GmbH, Einbeck, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art. It brings together essays of leading international scholars, curators, and artists who explore the strategies and epistemic/historiographic tools with which museums, galleries, but also historians and theorists and artists, have recollected, reconstructed and represented, this important artistic and activist practice. Written from queer, feminist, and critical perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural and academic contexts such as: Switzerland, Slovakia, US, Israel, Germany, former Yugoslavia, UK, and Portgual.With contributions by Andrea Bátorová, Sabine Gebhardt Fink, Séverine Fromaigeat, Oriana Fox, Stephen Greer, Dror Harari, Cláudia Madeira and Fernando Matos Oliveira, Andrej Mircev, Dorothea Rust, Sandra Sykora, with an special contribution by Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin and a conversation with Andrea Saemann, Chris Regn, Muda Mathis, and Margarit von Büren, and drawings by Lena Eriksson.
Librería: preigu, Osnabrück, Alemania
EUR 40,00
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Añadir al carritoTaschenbuch. Condición: Neu. Revolving Documents-Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art | Sabine Gebhardt Fink (u. a.) | Taschenbuch | 248 S. | Englisch | 2024 | diaphanes | EAN 9783035806410 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.
Librería: AussieBookSeller, Truganina, VIC, Australia
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Añadir al carritoPaperback. Condición: new. Paperback. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: Buchpark, Trebbin, Alemania
EUR 11,69
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Añadir al carritoCondición: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
EUR 47,15
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Añadir al carritoPaperback. Condición: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.