9782072857126 - The Supermarket of Images (15 resultados)

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Hardback. Condición: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Hardcover. Condición: new. Hardcover. 'Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible. We live in a world that is increasingly saturated with images. The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists' works repeatedly interrogate the future of images and things visible in the age of their globalised 'iconomics'. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herve Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi, Marta Ponsa, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman, Dork Zabunyan and Miren Etxezarreta Zubizarreta. AUTHOR: Peter Szendy is Professor of Comparative Literature and Humanities at Brown University. Previously, he worked as Maitre de conferences and accredited research director at Universite de Paris Nanterre, Visiting Professor at NYU and Princeton, and Maitre de conferences at Universite Marc-Bloch in Strasbourg. In 1995, he obtained his doctoral degree in Musical Aesthetics at Ecole des hautes etudes en sciences sociales (Ehess), Paris. SELLING POINTS: . Explores a wide range of perspectives on the economics of the image and images of the economy . Published to accompany an exhibition at Jue de Paume Museum, Paris, from February - June 2020 . Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA . Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University Press 200 colour images This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardcover. Condición: Brand New. 312 pages. 9.25x6.75x1.25 inches. In Stock.

Condición: New. This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists.&Uumlber den AutorPeter Szendy is Professor o.

Hardcover. Condición: new. Hardcover. 'Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible. We live in a world that is increasingly saturated with images. The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists' works repeatedly interrogate the future of images and things visible in the age of their globalised 'iconomics'. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herve Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi, Marta Ponsa, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman, Dork Zabunyan and Miren Etxezarreta Zubizarreta. AUTHOR: Peter Szendy is Professor of Comparative Literature and Humanities at Brown University. Previously, he worked as Maitre de conferences and accredited research director at Universite de Paris Nanterre, Visiting Professor at NYU and Princeton, and Maitre de conferences at Universite Marc-Bloch in Strasbourg. In 1995, he obtained his doctoral degree in Musical Aesthetics at Ecole des hautes etudes en sciences sociales (Ehess), Paris. SELLING POINTS: . Explores a wide range of perspectives on the economics of the image and images of the economy . Published to accompany an exhibition at Jue de Paume Museum, Paris, from February - June 2020 . Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA . Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University Press 200 colour images This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.