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Publicado por Armin Lear Press 9/20/2023, 2023
ISBN 10: 1956450807 ISBN 13: 9781956450804
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Añadir al carritoCondición: Hervorragend. Zustand: Hervorragend | Seiten: 426 | Sprache: Englisch | Produktart: Bücher | Cinema emerged alongside the rules that ushered in boxing's modern age and the "squared circle" proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world's first feature film. As the two attractions fast-grew into the country's most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America's expanding urban landscape. Devoting equal time to both mediums, Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration of how the genre held a bloody mirror to twentieth century America's most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.
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Añadir al carritoPaperback. Condición: new. Paperback. Cinema emerged alongside the rules that ushered in boxing's modern age and the "squared circle" proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world's first feature film. As the two attractions fast-grew into the country's most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America's expanding urban landscape. Devoting equal time to both mediums, Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration of how the genre held a bloody mirror to twentieth century America's most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist. Smash Hit uses boxing films as the basis of a deep dive into how the genre held a bloody mirror to 20th century America's most prominent social anxieties. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. Cinema emerged alongside the rules that ushered in boxing's modern age and the "squared circle" proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world's first feature film. As the two attractions fast-grew into the country's most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America's expanding urban landscape. Devoting equal time to both mediums, Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration of how the genre held a bloody mirror to twentieth century America's most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist. Smash Hit uses boxing films as the basis of a deep dive into how the genre held a bloody mirror to 20th century America's most prominent social anxieties. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. Cinema emerged alongside the rules that ushered in boxing's modern age and the "squared circle" proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world's first feature film. As the two attractions fast-grew into the country's most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America's expanding urban landscape. Devoting equal time to both mediums, Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration of how the genre held a bloody mirror to twentieth century America's most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist. Smash Hit uses boxing films as the basis of a deep dive into how the genre held a bloody mirror to 20th century America's most prominent social anxieties. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cinema emerged alongside the rules that ushered in boxing's modern age and the 'squared circle' proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world's first feature film.As the two attractions fast-grew into the country's most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America's expanding urban landscape.Devoting equal time to both mediums, Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration of how the genre held a bloody mirror to twentieth century America's most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.
Librería: preigu, Osnabrück, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. Smash Hit | Race, Crime, and Culture in Boxing Films | David Curcio | Taschenbuch | Englisch | 2023 | Armin Lear Press | EAN 9781956450804 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.