9781935195092 - reframing the new topographics (center books on american places) (3 resultados)
Idioma: Inglés
Editorial: Center for American Places, Columbia College, Chicago, 2010
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Librería: Ethan Daniel Books, Toronto, ON, CanadaEthan Daniel Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 155,01
Envío por EUR 12,90Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Collection of essays exploring the meaning and continuing influence of the 1975 New Topographics photography exhibition. Eight essays and an introduction. Illustrated with black-and-white reproductions. Minor edge wear to dust jacket. Otherwise a clean, unmarked copy. 237 pages. s166.
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Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
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EUR 1735,18
Envío por EUR 29,09Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
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- Primera edición
Librería: Riverside Books and Prints, Cold Spring, NY, Estados Unidos de AmericaRiverside Books and Prints
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EUR 642,15
Envío por EUR 4,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Center for American Places, 2011. Condition: As New.Dust Jacket: As New. book. In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime American vistas of Ansel Adams wer…e replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscapeand definitively changed the course of landscape photography. Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalisms expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture.
