Isbn: 9781928825067 - the art of devotion (5 resultados)

ISBN
Refinar con la Búsqueda avanzada

Filtrar la búsqueda

  • Libros (5)

a

Intervalo de precios personalizado (EUR)

a

  • Idioma: Inglés

    Editorial: Middlebury College Museum of Art, 2009

    1928825060 / 9781928825067

    • Tapa blanda

    Librería: HPB-Diamond, Dallas, TX, Estados Unidos de AmericaHPB-Diamond

    Vendedor de 5 estrellas
    Contactar con el vendedor

    Condición: Usado - Bueno

    EUR 14,36

    Envío por EUR 3,27 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Idioma: Inglés

    Editorial: Middlebury College Museum of Art, Middlebury, VT, 2009

    1928825060 / 9781928825067

    • Tapa blanda
    • Primera edición

    Librería: Warwick Books, member IOBA, South Pasadena, CA, Estados Unidos de AmericaWarwick Books, member IOBA

    Vendedor de 5 estrellas
    Contactar con el vendedor

    Miembro de asociación: IOBA

    Condición: Usado - Excelente

    EUR 31,41

    Envío por EUR 6,05 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Softcover. Condición: Fine. First Edition. Softcover exhibition catalogue in Fine, As New condition. First edition. Published in conjunction with a show of the same name that launched at Middlebury College Museum of Art and traveled to Mount Holyoke College Museum of Art. Unblemished cover and text pages. Color Illustrations throughout. Large 8vo. 112 pp. including a Select Bibliography.

  • Idioma: Inglés

    Editorial: Middlebury College Museum of Art, Middlebury, Vermont, 2009

    1928825060 / 9781928825067

    • Tapa blanda

    Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

    Vendedor de 4 estrellas
    Contactar con el vendedor

    Miembro de asociación: ABAAILAB

    Condición: Usado

    EUR 26,89

    Envío por EUR 11,32 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Paperback. Condición: NF. Glossy, color-illus. wraps with red spine lettering. Gold end papers. 112 pp. with color images throughout. Catalogue from the exhibition of 2009. Includes the catalogue of 16 works, fully-described, and pictured in color. With an introduction, 3 scholarly essays and a bibliography. A sumptuous catalogue.

  • Idioma: Inglés

    Editorial: Middlebury College Museum of Art, 2009

    1928825060 / 9781928825067

    • Tapa blanda

    Librería: The Book Spot, Sioux Falls, MN, Estados Unidos de AmericaThe Book Spot

    Vendedor de 4 estrellas
    Contactar con el vendedor

    Condición: Nuevo

    EUR 79,86

     Gastos de envío gratis 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Paperback. Condición: New.

  • Idioma: Inglés

    Editorial: Museum; UPNE (Distribution), 2009

    1928825060 / 9781928825067

    • Tapa blanda

    Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS

    Vendedor de 2 estrellas
    Contactar con el vendedor

    Condición: Nuevo

    EUR 1773,14

    Envío por EUR 2,61 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Paperback. Condición: New. At heart a collaborative venture, the creation of early fifteenth-century panel paintings in Italy depended upon a tight network of connections between patrons, painters, woodworkers, and gilders. The product of these interactions was an object that served both as a focus for devotion, and as an emphatic statement about wealth and status. This exhibition catalogue illustrates works in ten different collections and explores how these objects were made and what they reveal to us about those who produced and owned them. Featuring artists such as Giovanni del Biondo, Giovanni dal Ponte, Gentile da Fabriano, and Lippo d'Andrea, the catalogue essays and entries explore the ways in which these works--often described as "conservative," or "late Gothic," offer a more authentic view of the early Renaissance, one that balances our notion of a time and place characterized solely by departures from tradition.