9781912168170 - Manet to Bracquemond:: Unknown Letters to an Artist and a Friend (The Fondation Custodia Studies in the History of Art) de Bouillon, Jean-Paul (25 resultados)

Softcover. White/pink wraps with illustration. vii, 175 pages : illustrations (some color). The letters, collected here for the first time, are presented in their original French and edited by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work enabled him to situate the mostly undated letters in their proper time and context. To make these written documents more tangible, an introduction explores the friendship between the two men and highlights the principal subjects and themes around which the correspondence revolves, and the meticulous text is accompanied by nearly fifty color reproductions of the artwork referenced in the letters. Many of the letters attest to the frequent, at times daily, contacts between the two men, who met in Manet's studio and at dinners with Manet's wife and mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued on the occasion of Manet's solo exhibition of 1867. After more than a century of intense scholarship, our knowledge of Manet still presents many gaps. The correspondence presented in Manet to Bracquemond proves an essential new resource for our understanding of the life and work of the artist.--Amazon. VG (light scuffs & marks to wraps.).

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Paperback. Condición: New. This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form.Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap.This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

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Paperback. Condición: new. Paperback. With his radical usage of etching, painter Felix Bracquemond (1833-1914) influenced his contemporary Edouard Manet (1832-1883) significantly, an influence that is evident in Manet's oeuvre. The relationship between the two artists, however, was even closer than their art reveals. As the countless letters sent by Manet to Bracquemond-unknown until surfacing at a sale in Paris in 2016-prove, the friendship between the two men was more profound than mere artistic influence. The letters, collected here for the first time, are presented in their original French and edited by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work enabled him to situate the mostly undated letters in their proper time and context. To make these written documents more tangible, an introduction explores the friendship between the two men and highlights the principal subjects and themes around which the correspondence revolves, and the meticulous text is accompanied by nearly fifty color reproductions of the artwork referenced in the letters. Many of the letters attest to the frequent, at times daily, contacts between the two men, who met in Manet's studio and at dinners with Manet's wife and mother. Others concern joint projects, such as the illustration of Emile Zola's brochure issued on the occasion of Manet's solo exhibition of 1867. After more than a century of intense scholarship, our knowledge of Manet still presents many gaps. The correspondence presented in Manet to Bracquemond proves an essential new resource for our understanding of the life and work of the artist. This new edition publishes the letters adressed by Edouard Manet (18321883) to his friend, the artist Felix Bracquemond (18331914). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pp. 136.

Condición: New. pp. 136.

Paperback. Condición: New. This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form.Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap.This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

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Paperback. Condición: Brand New. 136 pages. 9.25x7.25x0.75 inches. In Stock.

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Paperback. Condición: New. This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form.Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap.This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

Paperback. Condición: new. Paperback. With his radical usage of etching, painter Felix Bracquemond (1833-1914) influenced his contemporary Edouard Manet (1832-1883) significantly, an influence that is evident in Manet's oeuvre. The relationship between the two artists, however, was even closer than their art reveals. As the countless letters sent by Manet to Bracquemond-unknown until surfacing at a sale in Paris in 2016-prove, the friendship between the two men was more profound than mere artistic influence. The letters, collected here for the first time, are presented in their original French and edited by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work enabled him to situate the mostly undated letters in their proper time and context. To make these written documents more tangible, an introduction explores the friendship between the two men and highlights the principal subjects and themes around which the correspondence revolves, and the meticulous text is accompanied by nearly fifty color reproductions of the artwork referenced in the letters. Many of the letters attest to the frequent, at times daily, contacts between the two men, who met in Manet's studio and at dinners with Manet's wife and mother. Others concern joint projects, such as the illustration of Emile Zola's brochure issued on the occasion of Manet's solo exhibition of 1867. After more than a century of intense scholarship, our knowledge of Manet still presents many gaps. The correspondence presented in Manet to Bracquemond proves an essential new resource for our understanding of the life and work of the artist. This new edition publishes the letters adressed by Edouard Manet (18321883) to his friend, the artist Felix Bracquemond (18331914). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form. Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap. This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

Paperback. Condición: New. This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form.Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap.This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

Taschenbuch. Condición: Neu. Manet to Bracquemond: | Unknown Letters to an Artist and a Friend | Jean-Paul Bouillon | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2021 | Ad Ilissum | EAN 9781912168170 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.