9781909932746 - Frank Bowling: sculpture de Cornish, Sam (22 resultados)

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Hardback. Condición: New. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. Lavishly illustrated, it features an extended essay by curator Sam Cornish charting Bowling's interactions with sculpture since the 1960s. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Also included are an in-conversation between Allie Biswas and sculptor Thomas J. Price, and a poem dedicated to Bowling by sculptor and author Barbara Chase-Riboud.

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Hardback. Condición: New. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. Lavishly illustrated, it features an extended essay by curator Sam Cornish charting Bowling's interactions with sculpture since the 1960s. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Also included are an in-conversation between Allie Biswas and sculptor Thomas J. Price, and a poem dedicated to Bowling by sculptor and author Barbara Chase-Riboud.

Hardcover. Condición: new. Hardcover. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. An extended essay by Sam Cornish charts Bowling's interactions with sculpture since the 1960s, beginning with his important shaped canvas Swan (1964), which was first displayed with ribbons and an anchor hanging from it. The text also considers Bowling's time as an artist, critic and curator in New York in the late 1960s and early 1970s, when he was involved with debates around the meaning of Black art, and the work of a number of African American sculptors. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship will also highlight the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Bowling is one of a number of High Modernist painters including Jules Olitski, Kenneth Noland and Helen Frankenthaler who also made sculpture, complicating widespread perceptions of High Modernism as a tendency associated primarily with painting. The book will be launched at an exhibition of Bowling's paintings and sculptures at the Stephen Lawrence Gallery, University of Greenwich, in July 2022. AUTHOR: Sam Cornish is a writer and curator. His publications include Bram Bogart (2011), John Panting: Sculpture (2012), Robert Motherwell: Works on Paper (2013), Gary Wragg: Constant Within The Change (2014), Stockwell Depot, 196779 (2015) and Mali Morris: Painting (2019). He co-curated the Arts Council touring exhibition Kaleidoscope: Colour and Sequence in 1960s British Art (201718). Along with Wiz Patterson-Kelly, he is editor of the catalogue raisonne of John Hoyland's paintings on canvas. 50 colour, 15 b/w illustrations Frank Bowling (b.1934, Guyana) is attracting ever-growing international recognition as an abstract painter. First publication to examine Bowlings art and ideas in relation to sculpture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Cornish, Sam. FRANK BOWLING: Sculpture. 170 pages, including 120 color and 5 b&w plates. Folio, cloth. London, Ridinghouse, 2022. How Bowling's sculpture expands and complicates his reputation as a high modernist painter. This is the first publication to examine Frank Bowling's art and ideas in relation to sculpture. The book asks how Bowling's sculpture extends our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to high modernism, from which Bowling's mature art emerged.

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Hardcover. Condición: Brand New. 170 pages. 11.50x10.00x1.00 inches. In Stock.

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Hardback. Condición: New. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. Lavishly illustrated, it features an extended essay by curator Sam Cornish charting Bowling's interactions with sculpture since the 1960s. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Also included are an in-conversation between Allie Biswas and sculptor Thomas J. Price, and a poem dedicated to Bowling by sculptor and author Barbara Chase-Riboud.

Condición: New. Frank Bowling (b.1934, Guyana) is attracting ever-growing international recognition as an abstract painter. First publication to examine Bowling s art and ideas in relation to sculpture.KlappentextThis is the first publication to exa.

Hardcover. Condición: new. Hardcover. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. An extended essay by Sam Cornish charts Bowling's interactions with sculpture since the 1960s, beginning with his important shaped canvas Swan (1964), which was first displayed with ribbons and an anchor hanging from it. The text also considers Bowling's time as an artist, critic and curator in New York in the late 1960s and early 1970s, when he was involved with debates around the meaning of Black art, and the work of a number of African American sculptors. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship will also highlight the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Bowling is one of a number of High Modernist painters including Jules Olitski, Kenneth Noland and Helen Frankenthaler who also made sculpture, complicating widespread perceptions of High Modernism as a tendency associated primarily with painting. The book will be launched at an exhibition of Bowling's paintings and sculptures at the Stephen Lawrence Gallery, University of Greenwich, in July 2022. AUTHOR: Sam Cornish is a writer and curator. His publications include Bram Bogart (2011), John Panting: Sculpture (2012), Robert Motherwell: Works on Paper (2013), Gary Wragg: Constant Within The Change (2014), Stockwell Depot, 196779 (2015) and Mali Morris: Painting (2019). He co-curated the Arts Council touring exhibition Kaleidoscope: Colour and Sequence in 1960s British Art (201718). Along with Wiz Patterson-Kelly, he is editor of the catalogue raisonne of John Hoyland's paintings on canvas. 50 colour, 15 b/w illustrations Frank Bowling (b.1934, Guyana) is attracting ever-growing international recognition as an abstract painter. First publication to examine Bowlings art and ideas in relation to sculpture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Hardback. Condición: New. Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing international recognition as an abstract painter. This is the first publication to examine Bowling's art and ideas in relation to sculpture. Lavishly illustrated, it features an extended essay by curator Sam Cornish charting Bowling's interactions with sculpture since the 1960s. The book asks how seeing Bowling's sculpture, and thinking about sculpture more broadly, may extend our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to High Modernism, from within which Bowling's mature art emerged. Also included are an in-conversation between Allie Biswas and sculptor Thomas J. Price, and a poem dedicated to Bowling by sculptor and author Barbara Chase-Riboud.