9781854377968 - rodchenko and popova defining constructivism /anglais de tupitsyn, margarita (12 resultados)
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Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de AmericaHalf Price Books Inc.
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paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Librería: Klondyke, Almere, HolandaKlondyke
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EUR 38,50
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Condición: Good. Paperback, numerous colour illustrations, 4to.; Spine slightly discoloured.
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Librería: Klondyke, Almere, HolandaKlondyke
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EUR 38,50
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Condición: Good. Paperback, numerous colour illustrations, 4to.
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- Primera edición
Librería: Marcus Campbell Art Books, London, Reino UnidoMarcus Campbell Art Books
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EUR 42,07
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Paperback. Condición: Near fine in wraps. First Edition. 23 x 28cm 199pp near fine exhibition catalogue with colour reproductions showing the works of the ground-breaking Russians. Rodchenko and Popova were pioneers of the art movement known as Constructivism. They considered themselves engineers rather than artists in the tradi…tional sense, and aimed to contribute to the redesign of everyday life. Constructivist art abandoned the galleries for the streets. Artists directed their energies at crockery and textiles, propaganda and cinema posters, book jackets and newspaper kiosks.This shift from two dimensional paintings to three dimensional sculptures went hand in hand with the entry of art into everyday life. Constructivist artists sought to leave behind flat picture planes and static images in order to access a mobile and multi-faceted world inspired by films, carnival floats, clothing and badges.Withc olour reproductions.
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- Primera edición
Librería: Colin Martin Books, Near Hull, EY, Reino UnidoColin Martin Books
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Soft cover. Condición: Fine. 1st Edition. Qto., 192 pages, colour illustrated. Looks as new, unused, a Fine copy.
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Librería: ANARTIST, New York, NY, Estados Unidos de AmericaANARTIST
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EUR 67,90
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Softcover, 192 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Librería: DeckleEdge LLC, Albuquerque, NM, Estados Unidos de AmericaDeckleEdge LLC
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EUR 107,90
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paperback. Condición: new.
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Librería: Inanna Rare Books Ltd., Skibbereen, CORK, IrlandaInanna Rare Books Ltd.
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EUR 78,00
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Condición: Sehr gut. 23,5 cm x 28 cm. Frontispiece, 190 pages with illustrations throughout. Original Softcover. Excellent condition with only minor signs of wear. Includes for example: Being-in-Production: The Constructivist Code / Plates / His and Her Constructivism / Commentary on Drawings / The Line etc. Aleksander Mikhailov…ich Rodchenko (5 December [O.S. 23 November] 1891 December 3, 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd anglesusually high above or down belowto shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (Wikipedia) Lyubov Sergeyevna Popova (April 24, 1889 May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy. She grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger. As early as 1917 in parallel with her Suprematist work, she had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. She continued painting advanced abstract works until 1921. In the 5 x 5 Exhibition of 1921, Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did not join the Working Group of Constructivists when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF. She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova. (Wikipedia).
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Librería: GoldBooks, Denver, CO, Estados Unidos de AmericaGoldBooks
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EUR 107,90
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Paperback. Condición: new. New Copy. Customer Service Guaranteed.
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- Primera edición
Librería: Widney Manor Books, solihull, MIDLA, Reino UnidoWidney Manor Books
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EUR 90,16
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Soft cover. Condición: New. 1st Edition.
Editorial: Tate, UK, 2009
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Librería: Maynard & Bradley, Leicester, Reino UnidoMaynard & Bradley
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EUR 39,61
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Softcover. Condición: Very Good. 2009. A very well-presented copy, lightly used with some minor thumbing at the outer corners of the covers, but in all other regards clean and free from any major signs of wear, page edges crisp and seemingly barely read. Why on Amazon do most sellers not describe their actual book? Buy with conf…idence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 235 x 280 mm. 192 pages. Item Type: Book. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Britain/UK; Modern; ISBN: 1854377965. ISBN/EAN: 9781854377968. Inventory No: 55285.
Rodchenko and Popova; Defining Constructivism
Tupitsyn, Margarita (editor) ; Rodchenko, Aleksandr; Popova, Liubov
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Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS
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EUR 1788,81
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Paperback. Condición: New.
