Isbn: 9781854374592 - constable to delacroix: british art and the french romantics 1820-1840 (37 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condición: Very Good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condición: Very Good. First Edition. 290 Pages Indexed. Nice condition with a nearly flawless interior text and illustration pages. The Exhibition began at Tate Britain, London and ran 5 February - May 2003. Then touring to The Minneapolis Institute of Arts, Minneaolis 8 June - 7 September 2003. The exhibition was at The Metropolitan Museum of Art, New York 7 October 2003 to 4 January 2004. This exhibition explores the extraordinary network of cultural interchange that developed between Britain and France in the three or so decades following the end, in 1815, of their long war - a conflict which had raged with only occasional respites since the early 1790s. Sustained hostility in politics was to give way to mutual admiration in the arts. Focusing primarily on painting, the exhibition traces both the impact of French Romanticism on British art, including through the sensational display in London of Theodore Cericault's Raft of the Medusa in 1820. (See Cover). Perhaps the range and force of Britain's cultural impact on France in these years will come as some surprise. Though Lord Byron's literary influence on Eugene Delacroix is well known, the prodigious consumption of Walter Scott in France may be less understood; and while John Constable's success at the Paris Salon exhibition of 1824, and his admiration by Delacroix, forms part of our standard histories of British art. The web of connections and its expression through French landscape painting through the 1830s and beyond, may prove to be one of this exhibition's most significant revelations. Though there had certainly been moments of productive cross-channel interchange in the previous century, they were readily undermined by political tensions and usually short-lived. The kind of sustained cultural dialogue surveyed by this exhibition was unprecedented and would furnish a model for subsequent generations.…

Paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized. Standard-sized.

Paperback. Condición: Very Good. 2 This book is in very good condition; no remainder marks. It does have some shelfwear. Inside pages are clean.

Paperback. Condición: Near Fine. 1st. 296 pages, illustrations (chiefly colour) 31 cm. Published on the occasion of the exhibition at Tate Britain, London, 5 February to 11 May 2003; and other venues. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. First paperback edition. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** CONTENTS: Colour and effect: Anglo-French painting in London and Paris, by Patrick Noon; Print culture and the illustration of history: an Anglo-French perspective, by Stephen Bann; Chronology, by Rachel Meredith. Size: 4to. …

Condición: Used - Very Good. VG paperback. 1st edition. 2003 1st edition large format paperback to accompany an exhibition; numerous colour and B&W illustrations; spine and cover uncreased; a little fading to spine and bottom front edge; otherwise, a clean, tidy copy. Used - Very Good. VG paperback.

Paperback. First edition, first printing. NEW paperback. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Essays by Patrick Noon, Stephen Bann and others. 296 pages; color and b&w reproductions throughout; 9.25 x 11.75 inches. The catalogue for an exhibition of paintings held at the Tate in London; explores the influence of English painting on French art of the early 19th century. Overseas sales and expedited shipping will require extra postage for this volume.…

Paperback. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: New. BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, MH255-908Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Soft cover. Condición: Near Fine. First Edition. NF. Softcover, 296 pp, color illustrations, folio, very light edgewear, otherwise a crisp, clean and tight copy.

Paperback. Condición: Very Good. Estado de la sobrecubierta: n No Jacket. y 1st Edition. London: Tate Publishing, 2003. Book. Very Good. Soft cover. 1st Edition. 11.75" Tall x 9.25" Wide. Book published on the occasion of an exhibition held at Tate Britain from February - May 2003, then at The Minneapolis Institute of Arts and The Metropolitan Museum of Art, New York. 296pp with index, illustrated with 190 colour reproductions. Minor creasing to corners and slight staining to lower edges, presumed from red paint, otherwise very good copy with no inscriptions. HEAVY BOOK, additional postage may be required for Air Mail shipping. Book.…

Soft cover. Condición: Very Good. Book is in excellent, very good condition.

Soft cover. Condición: As New. Book is in excellent, as new condition.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 296 p.: ill. (chiefly col.); 30 cm. Notes: Includes bibliographical references (p. 284-291) and index. Contents: Partial contents: Colour and effect : Anglo-French painting in London and Paris / Patrick Noon -- Print culture and the illustration of history : an Anglo-French perspective / Stephen Bann -- Chronology / Rachel Meredith. Subjects: Constable, John. Ge?ricault, The?odore 1791-1824. Delacroix, Euge?ne 1798-1863. Painting, French 19th century; Exhibitions. Romanticism in art; Exhibitions. Art, Comparative. Art, French-English influences. British influence on French art. French influence on British art. Genre: Exhibition catalogs. 1 Kg.…

Paperback. Condición: Very Good. A clean, tight copy. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Paperback. Condición: Very Good. No jacket. Tate Publishing, 2003. Paperback, 4to, 296pp, illust. Corners slightly rubbed. A good copy. 1854374591/1.5uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Ge?ricault, The?odore 1791-1824. Delacroix, Euge?ne 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 1 Kg. …

Condición: Very Good. Light scuffs & scratches to the softcover. Lightly tanned textblock edge. Content is in very good, clean condition.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 296 p.: ill. (chiefly col.); 30 cm. Notes: Includes bibliographical references (p. 284-291) and index. Contents: Partial contents: Colour and effect : Anglo-French painting in London and Paris / Patrick Noon -- Print culture and the illustration of history : an Anglo-French perspective / Stephen Bann -- Chronology / Rachel Meredith. Subjects: Constable, John. Ge?ricault, The?odore 1791-1824. Delacroix, Euge?ne 1798-1863. Painting, French 19th century; Exhibitions. Romanticism in art; Exhibitions. Art, Comparative. Art, French-English influences. British influence on French art. French influence on British art. Genre: Exhibition catalogs. 1 Kg.…

Soft cover. Condición: Good. 296 pp.

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Ge?ricault, The?odore 1791-1824. Delacroix, Euge?ne 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 1 Kg. …

Exhibition catalogue, 2003. 295x235mm 296 pages. 190 items catalogued all illustrated in colour. Paperback. Very good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 30 years experience and a real-life bookshop. You may order with confidence.…

Paperback. Condición: new. Paperback. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain, this text looks at the themes which emerged in the art of these two nations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Soft cover. Condición: Fine. 2002, Tate Gallery, 4to., fine, wrappers.

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