ISBN: 9781851494958 - a pre-raphaelite marriage: the lives and works of marie spartali stillman and william james stillman (15 resultados)

hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Very Good. Bright, clean pages. Binding is solid. Dust jacket has some wear at top edge; sticker on back cover. ; 10.90 X 8.70 X 1.10 inches; 248 pages.

hardcover. Condición: Good. A Pre-Raphaelite Marriage: The Lives and Works of Marie Spartali Stillman & William James Stillman. Hardcover published by the Antique Collector's Club, 2006. Text looks free of notations/underlining. Wear to the exterior. Dust jacket has a few small tears and bumping.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. 4to 11" - 13" tall; 247 pages; Oversize HC/DJ. 1st edition. Superb copy is tightly bound and exceptionally fresh in an immaculate color pictorial dust jacket. Feels and appears unread and as new. Illustrated throughout with color reproductions. F/F . Oversize book may require additional charges for expedited or international shipping.…

hardcover. Condición: Very Good. Pre-raphaelite Marriage: Marie Spartali Stillman & William James Stillman This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Condición: Good.

Hardcover. Condición: new. Hardcover. As occasional model for no less than Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphealite era. Born into a well-to-do Anglo-Greek family in London, she was greatly admired as one of 'The Three Graces', alongside Aglaia Coronio and Maria Zambaco, and photographed several times by Julia Margaret Cameron. Her circle of close friends included, among others, William Michael Rossetti, Lucy Madox Brown Rossetti, Ford Madox Brown, George Frederick Watts, Jane Morris, the Ionides family, and James Abbott MacNeill Whistler. What few people now realise is that behind the enigmatic face lay talent and determination. A gifted artist in her own right, Marie persuaded her father to allow her to study under Ford Madox Brown. She was a prolific painter throughout her long career - a career that she was determined to have in a time when women of her status were actively discouraged from doing so, and that she maintained throughout her marriage. She exhibited regularly at the Dudley from 1870, the Grosvenor from 1877 and at the New Gallery from 1887 until 1908, in addition to numerous exhibitions in the United States between 1875 and 1908. Her husband, William James Stillman (1828-1901), a New Englander by birth, was an early and important figure in the development of American taste for a domestic school of painting. In 1855 he founded and edited The Crayon , the first successful American fine art journal, with John Ruskin's encouragement and with William Michael Rossetti as his London correspondent. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. In Europe, following his marriage to Marie Spartali in 1871, he was a war correspondent and Rome correspondent for The Times from 1876 until his retirement in 1898. This is the first biography of Marie Spartali Stillman. Based on complete access to her family's archives, it fully examines her work as well as placing it in to social and personal context. This richly illustrated and comprehensive book catalogues more than 170 works by Marie Spartali Stillman, many previously unknown. As much of her work can only be found in private collections, many of the works illustrated here have not been seen by the public since her last exhibition in 1908. 71 colour & 22 b/w illustrations As occasional model for Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphaelite era. William James Stillman (1828-1901) founded and edited The Crayon, the first successful American fine art journal. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A clean, tight copy. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. In it's original shrink wrap. Never opened, never spoiled! NEW.

Hardcover. Condición: new. Hardcover. As occasional model for no less than Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphealite era. Born into a well-to-do Anglo-Greek family in London, she was greatly admired as one of 'The Three Graces', alongside Aglaia Coronio and Maria Zambaco, and photographed several times by Julia Margaret Cameron. Her circle of close friends included, among others, William Michael Rossetti, Lucy Madox Brown Rossetti, Ford Madox Brown, George Frederick Watts, Jane Morris, the Ionides family, and James Abbott MacNeill Whistler. What few people now realise is that behind the enigmatic face lay talent and determination. A gifted artist in her own right, Marie persuaded her father to allow her to study under Ford Madox Brown. She was a prolific painter throughout her long career - a career that she was determined to have in a time when women of her status were actively discouraged from doing so, and that she maintained throughout her marriage. She exhibited regularly at the Dudley from 1870, the Grosvenor from 1877 and at the New Gallery from 1887 until 1908, in addition to numerous exhibitions in the United States between 1875 and 1908. Her husband, William James Stillman (1828-1901), a New Englander by birth, was an early and important figure in the development of American taste for a domestic school of painting. In 1855 he founded and edited The Crayon , the first successful American fine art journal, with John Ruskin's encouragement and with William Michael Rossetti as his London correspondent. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. In Europe, following his marriage to Marie Spartali in 1871, he was a war correspondent and Rome correspondent for The Times from 1876 until his retirement in 1898. This is the first biography of Marie Spartali Stillman. Based on complete access to her family's archives, it fully examines her work as well as placing it in to social and personal context. This richly illustrated and comprehensive book catalogues more than 170 works by Marie Spartali Stillman, many previously unknown. As much of her work can only be found in private collections, many of the works illustrated here have not been seen by the public since her last exhibition in 1908. 71 colour & 22 b/w illustrations As occasional model for Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphaelite era. William James Stillman (1828-1901) founded and edited The Crayon, the first successful American fine art journal. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. First Edition; First Printing. Near Fine in a Near Fine dust jacket.; 8vo - over 7¾" - 9¾" tall; 248 pages.

Hardcover. First Edition; First Printing. 248 pages.

Condición: Very Good.

Rilegato. Condición: come nuovo.

Hardcover. Condición: New.