Isbn: 9781848220676 - the pre-raphaelite lens: british photography and painting, 1848-1875 (16 resultados)

Hardback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. First Edition, First Printing. Quarto, 230 pages. In Very Good condition with Very Good condition dust jacket. Spine is black with white and beige lettering. Dust jacket protected by mylar covering, has mild shelving wear along spine head and tail and mild creasing to tail fore corners. Boards fully bound in publisher's brown cloth, have mild bumping to tail fore corners. Shelved in British Art. 1406993. Shelved Dupont Bookstore. …

A clean, tidy copy in tight binding. Slight bumping to dust jacket edges. Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket.

Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (Exlibrary book. Sticker to the mylar jacket at the base of the spine. Stamp on front free end page. Stamp on back free end page. Stamp on top text block.).…

Condición: acceptable.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9781848220676.…

Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (wear to cloth edges & corners; bump to upper corner & edge).…

Hardcover. Condición: Very Good. 2010 Lund Humphries large format hardcover edition. Light reading wear else very good condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. ix, 230 pages : illustrations (some colour) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011. Summary:"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing, ' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail . This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First edition. As new in like dust jacket. Still in original shrinkwrap.; 240 pages.

Hard cover. Sewn binding. Cloth over boards. With dust jacket. 230 p. Contains: Illustrations, black & white, Illustrations, color. Audience: General/trade. Very good in very good dust jacket. Near Fine in a near fine jacket in mylar.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: New. As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing,' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail. And yet, the Pre-Raphaelites' debt to photography has barely been acknowledged. From photography, painters learned to see anew: adapting such radical qualities as abrupt cropping, planar recession, and a lack of modulation between forms, painters made their art modern, sometimes shockingly so. Photographers in turn looked to Pre-Raphaelite visual strategies and subject matter - mined from literature, history, religion - to secure,' as Julia Margaret Cameron wrote, 'the character and uses of High Art.' These artists developed a shared vocabulary - featuring light and minute detail as an emblem of visual truth - which helped launch realism as the century's dominant visual mode. 'Exactness,' a critic affirmed in 1856, 'is the tendency of the age.' This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures.…

IX and 230 pages. Original cloth with original dustjacket (very good and clean copy). 30 x 23,5 cm. First edition. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …