9781848220225 - Titian, Tintoretto, Veronese: Rivals in Renaissance Venice (8 resultados)

Hardcover. Condición: As New. Still shrinkwrapped. Accompanying an exhibition of the same name at the MFA in Boston, which is the first major exhibition dedicated to the artistic rivalry of the three greatest Venetian painters of the sixteenth century. This was at a time when Venice was one of the richest and largest cities in Europe and demand for paintings was a fertile climate for competition and innovation. Essays range from examinations of new techniques to essential institutions such as state commissions and the patronage system. This is a heavy item and may require additional postage if being shipped outside of Europe. 9781848220225 4to. Exhibition Catalogue.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A lovely clean copy in a lightly rubbed dust jacket. Heavy book international postage at cost.

Hardcover. Condición: Very Good. Book and dust jacket are in very good condition. 316pp with colour illustrations.

Hardcover. Condición: Very Good. Book is in very good condition. Slight signs of wear to dust jacket.

Condición: UsatoBuono. Ril. in tela con sovr.ill. a col., cm 29,5x26 , pp 315 , moltissime tavv. e ill. a col. - ISBN: 9781848220225.

Hardcover. Condición: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Hardcover. English. See images for condition. About the book >.>.> In Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, Frederick Ilchman, alongside contributions from various scholars, explores the dynamic interplay among the three most prominent painters of Renaissance Venice?Titian, Tintoretto, and Veronese. Over nearly four decades in the sixteenth century, their overlapping careers not only fostered fierce rivalries but also encouraged a mutual exchange of ideas and techniques that profoundly influenced the course of art history.Set against the backdrop of Venice, one of Europe?s wealthiest cities during this period, the book highlights how an abundance of artistic commissions created a flourishing environment for innovation. The three artists, known for their brilliance and ambition, competed intensely for recognition. They exploited the newly developed oil-on-canvas technique, which offered unique expressive possibilities, and pioneered easel painting, allowing for remarkable fame during their lifetimes. The narrative showcases over 160 vivid examples of their work and that of their contemporaries, illustrating the technical and aesthetic innovations that culminated in the distinctive ?Venetian style.? This style is characterised by a loose technique, rich colours, and often sensual subject matter.The collection of essays delves into various facets of their artistry, exploring new approaches to painting, the significance of state commissions, and the role of private patronage. By focusing on the intricate relationships and competitive spirits of these three masters, the book sheds light on the vibrant and innovative landscape of Renaissance art in Venice, capturing the rivalry, one-upmanship, and passion that helped shape this transformative period in art history.