Librería: Anybook.com, Lincoln, Reino Unido
EUR 7,17
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781845112110.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 30,28
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 38,52
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: New. Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 38,82
Cantidad disponible: 1 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 35,66
Cantidad disponible: 1 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Pearlydewdrops, Streat, Reino Unido
EUR 16,00
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
Librería: George Longden, Macclesfield, Reino Unido
EUR 14,34
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. Reprint. First published 2001. 235 x 155 mm. xii, 280 pp. Pictorial card covers. A bright, presentable copy. Spine not creased. Occasional b&w illustrations. Endnotes, bibliography, index. Book.
Idioma: Inglés
Publicado por I.B. Tauris & Company, Limited, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Majestic Books, Hounslow, Reino Unido
EUR 36,77
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 296.
Idioma: Inglés
Publicado por I. B. Tauris & Co Ltd, London and New York, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Test Centre Books, Norwich, Reino Unido
Original o primera edición
EUR 14,34
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Near Fine. First Edition Thus. 8vo. xii, 280pp. Illustrated. 1st printing of 1st paperback edition. An era which marked the last phase of cinema's dominance as a mass entertainment form in Britain. Near fine.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 32,70
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall. Series: Cinema and Society. Num Pages: 296 pages, illustrations. BIC Classification: APF; JPS; JPVN. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 231 x 157 x 27. Weight in Grams: 458. . 2006. Paperback. . . . .
Librería: Revaluation Books, Exeter, Reino Unido
EUR 33,27
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 280 pages. 9.25x6.25x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 40,78
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall. Series: Cinema and Society. Num Pages: 296 pages, illustrations. BIC Classification: APF; JPS; JPVN. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 231 x 157 x 27. Weight in Grams: 458. . 2006. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por I.B. Tauris 2006-07-28, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Chiron Media, Wallingford, Reino Unido
EUR 31,35
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New.
Librería: Broad Street Book Centre, Hereford, Reino Unido
EUR 11,36
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. 280pp., b/w illus. Very good condition, appears unread.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 39,54
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Pearlydewdrops, Streat, Reino Unido
EUR 37,35
Cantidad disponible: 2 disponibles
Añadir al carritopaperback. Condición: New. Shipped from the UK within 2 business days of order being placed.
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
EUR 80,55
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. In shrink wrap. Looks like an interesting title!
Idioma: Inglés
Publicado por PAPERBACKSHOP UK IMPORT, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: moluna, Greven, Alemania
EUR 41,47
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Uncovers British cinema s contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the first Cold War dictated international politics. It explores the relationship between f.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2006
ISBN 10: 1845112113 ISBN 13: 9781845112110
Librería: Rarewaves.com UK, London, Reino Unido
EUR 34,31
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: New. Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.
EUR 51,47
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Much has been written about cold war Hollywood and the Soviet Union's cinematic campaign against the West. This book fills a significant gap in the international story by uncovering British cinema's contribution to cold war propaganda and its attempt to create a consensus among British audiences on cold war issues. The book includes tales of conveniently forgotten films like 'High Treason,' directed by Roy Boulting, which put a British McCarthyism on celluloid; 'Little Red Monkey,' in which the Chinese communist threat first emerged; and the fascinatingly ambiguous 'The Man Between,' Carol Reed's follow-up to 'The Third Man,' set in a divided Berlin. It examines cold war issues, as refracted through British films and Hollywood movies released in Britain, and tells how the British public received this 'war propaganda.'.