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Idioma: Inglés
Publicado por Oldcastle Books Ltd, GB, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoPaperback. Condición: New. Picasso apparently said, "when critics get together, they talk about theory. When painters get together, they talk about turpentine.' That has been my experience, as far as film and film studies are concerned. Critics, academics, and theoreticians talk theory. That is what they know. Artists talk about their processes in making art. This is my attempt to apply what I know to a beginning study of film. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Words like these are our currency: they must be known. But, even more urgently, young filmmakers need answers to their questions -- what lens was used? how did they do that effect? who paid for that picture? how did they get it past the censor? Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. And this doesn't just apply to the cinema. I believe 100% that a reasonably educated and intelligent person in any country of the world should be able to have a conversation about Luis Buñuel, about Akira Kurosawa, about Stanley Kubrick, about Fellini or Bergman, and talk knowledgeably about at least one of their films. Read this book, watch the films, and you can!
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Idioma: Inglés
Publicado por Oldcastle Books Ltd, Harpenden, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoPaperback. Condición: new. Paperback. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. An Introduction to Film covers all these aspects, from director and filmmaker Alex Cox's perspective. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por High Stakes Publishing, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoCondición: New. Num Pages: 192 pages. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 198 x 129. . . 2016. Paperback. . . . .
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Publicado por High Stakes Publishing, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoCondición: New. Num Pages: 192 pages. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 198 x 129. . . 2016. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por High Stakes Publishing, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Idioma: Inglés
Publicado por Oldcastle Books Ltd, Harpenden, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoPaperback. Condición: new. Paperback. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. An Introduction to Film covers all these aspects, from director and filmmaker Alex Cox's perspective. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Oldcastle Books|No Exit Press, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
Librería: moluna, Greven, Alemania
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Añadir al carritoCondición: New. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres a.
Idioma: Inglés
Publicado por Oldcastle Books Okt 2016, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. An Introduction to Film covers all these aspects, from director and filmmaker Alex Cox's perspective.
Idioma: Inglés
Publicado por Oldcastle Books Ltd, GB, 2016
ISBN 10: 1843447460 ISBN 13: 9781843447467
Librería: Rarewaves.com UK, London, Reino Unido
EUR 17,85
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Añadir al carritoPaperback. Condición: New. Picasso apparently said, "when critics get together, they talk about theory. When painters get together, they talk about turpentine.' That has been my experience, as far as film and film studies are concerned. Critics, academics, and theoreticians talk theory. That is what they know. Artists talk about their processes in making art. This is my attempt to apply what I know to a beginning study of film. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Words like these are our currency: they must be known. But, even more urgently, young filmmakers need answers to their questions -- what lens was used? how did they do that effect? who paid for that picture? how did they get it past the censor? Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. And this doesn't just apply to the cinema. I believe 100% that a reasonably educated and intelligent person in any country of the world should be able to have a conversation about Luis Buñuel, about Akira Kurosawa, about Stanley Kubrick, about Fellini or Bergman, and talk knowledgeably about at least one of their films. Read this book, watch the films, and you can!
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Añadir al carritoTaschenbuch. Condición: Neu. Alex Cox's Introduction to Film | A Director's Perspective | Alex Cox | Taschenbuch | Kartoniert / Broschiert | Englisch | 2016 | Oldcastle Books Ltd | EAN 9781843447467 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.