ISBN: 9781584562719 - french renaissance printing types: a conspectus (3 resultados)

- Tapa dura
- Primera edición
Librería: Arundel Books, Seattle, WA, Estados Unidos de AmericaArundel Books
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: CBA
Condición: Usado - Muy bueno
EUR 46,12
Envío por EUR 5,15Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardcover. Condición: Near Fine. No Jacket. First Edition. A near fine copy of the hardcover first edition in original navy blue cloth (slight bumping to edges). Corrigenda laid in loose.

- Tapa dura
Librería: Wonder Book, Frederick, MD, Estados Unidos de AmericaWonder Book
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 74,77
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Condición: Good. Good condition. No Dust Jacket (Printing, Type Founding, France, History) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

- Tapa dura
Librería: Leopolis, Kraków, PoloniaLeopolis
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 116,97
Envío por EUR 65,00Se envía de Polonia a Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardcover. Condición: New. 4to (29.5 cm), 471 pp. Publisher's cloth, gilt-lettered spine. Comprehensive and authoritative study of sixteenth-century typefounding and typography. The conspectus opens with substantial introductory chapters discussing the surviving sources, the historical development of type-casting and letter-engraving in the sixteenth century, and the methodological framework of the study. These are followed by detailed biographical notices of seventeen punchcutters, ranging from major figures such as Colines, Garamont, and Granjon to lesser-known but significant craftsmen including Vatel, Gryphius, and Du Boys. The core of the volume comprises facsimiles and analyses of 409 typefaces--216 Roman, 88 Italic, 61 Greek, 41 Hebrew, 2 Arabic, and one phonetic type. Each typeface is accompanied by a concise yet informative entry identifying its letter family, size, punchcutter (or eponym), first appearance in printed books or type specimens, and the survival of original materials such as punches or matrices. For approximately two-thirds of the typefaces, references to the relevant modern scholarly literature are also provided. All typefaces are illustrated, many with multiple examples demonstrating their use in contemporary printing. This richly documented work constitutes a fundamental reference for the history of Renaissance typography, type design, and printing.…