Isbn: 9781576872260 - fall geb (13 resultados)

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. 1St Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. Text by Dr. Philip A. Rea, verse by Walt Whitman, photographs by Christopher Griffith. 80 pages, 48 color photos., folio., hardcover, photo-boards white text on spine, dust jacket. Very good condition, unsold inventory from an old bookstore. Inventory #37164-1. Shipping outside the continental United States may incur higher shipping charges.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Some wear to upper corners, with some edgewear to dustjacket. A hyper-macroscopic, collaborative art book that captures the striking color transformations of tree foliage in the northeastern United States during autumn. The book brings together photography by Christopher Griffith, poetry by Walt Whitman, and accompanying text by Philip A. Rea. Christopher Griffith has earned significant industry acclaim for his photography, bridging the gap between hyper-detailed commercial advertising and minimalist fine art. Throughout his 25-year photography and design career, Griffith has won multiple prestigious awards spanning both the creative photography and commercial advertising fields.…

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 0 pages; Description: 1 v. (unpaged) : col. ill. ; 37 cm. Subjects: Griffith, Christopher --Photography of leaves --Fall foliage --Northeastern States --Pictorial works. Summary: The idea for Fall came to photographer Christopher Griffith while he was living in a Manhattan brownstone, finalizing the design for his first monograph, States (powerHouse Books, 2000) . "It was mid-November, " Griffith recalls, "and the ivy on the side of my building seemed to be literally glowing outside my window. I picked a single leaf off the vine and saw that, dependent upon the angle of light and the position of the leaf, I could see the most incredible texture and color through the leaf. " Excited by this discovery, Griffith spent the next couple of days experimenting with how to capture it all onto film. That was four years ago. He has now perfected the technique of both photographing the foliage and getting it to his studio and on film before it wilts or turns brown, quite a feat as many of these fresh and delicate leaves were collected and transported personally by Griffith from hundreds of miles away. A hyper-macroscopic analysis of the color transformations characteristic of tree foliage in the northeastern United States autumn, Fall features vivid and brilliant images of nature's gifts, which we often take for granted. Fantastically backlit, glowing colors are transmitted through the leaves, illustrating structural and textural elements of nature never before captured on film. For this former student of research biology, the project transported Griffith back to his early days of plant biochemistry, but this time as an artist, not a scientist. "When you look at a tree that is turning, it appears to have an overall uniformity of color, " Griffith observes. "But it is only when you literally get into the tree and get personal with the individual components of that breathtaking color, that you see the truly astounding variety of that color transformation. For me, leaves are like snowflakes; no two are ever the same". 2 Kg.…

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 0 pages; Description: 1 v. (unpaged) : col. ill. ; 37 cm. Subjects: Griffith, Christopher --Photography of leaves --Fall foliage --Northeastern States --Pictorial works. Summary: The idea for Fall came to photographer Christopher Griffith while he was living in a Manhattan brownstone, finalizing the design for his first monograph, States (powerHouse Books, 2000) . "It was mid-November, " Griffith recalls, "and the ivy on the side of my building seemed to be literally glowing outside my window. I picked a single leaf off the vine and saw that, dependent upon the angle of light and the position of the leaf, I could see the most incredible texture and color through the leaf. " Excited by this discovery, Griffith spent the next couple of days experimenting with how to capture it all onto film. That was four years ago. He has now perfected the technique of both photographing the foliage and getting it to his studio and on film before it wilts or turns brown, quite a feat as many of these fresh and delicate leaves were collected and transported personally by Griffith from hundreds of miles away. A hyper-macroscopic analysis of the color transformations characteristic of tree foliage in the northeastern United States autumn, Fall features vivid and brilliant images of nature's gifts, which we often take for granted. Fantastically backlit, glowing colors are transmitted through the leaves, illustrating structural and textural elements of nature never before captured on film. For this former student of research biology, the project transported Griffith back to his early days of plant biochemistry, but this time as an artist, not a scientist. "When you look at a tree that is turning, it appears to have an overall uniformity of color, " Griffith observes. "But it is only when you literally get into the tree and get personal with the individual components of that breathtaking color, that you see the truly astounding variety of that color transformation. For me, leaves are like snowflakes; no two are ever the same". 2 Kg.…

Hardcover. Condición: NF. Hardback in Near Fine condition with Near Fine dust jacket . 11.75 X 0.5 X 14.5 inches. Unpaginated pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condición: COME NUOVO. PowerHouse Books cm.28,5x36, pp.circa 80, ill.col. Hardcover. he idea for Fall came to photographer Christopher Griffith while he was living in a Manhattan brownstone, finalizing the design for his first monograph, States (powerHouse Books, 2000). "It was mid-November," Griffith recalls, "and the ivy on the side of my building seemed to be literally glowing outside my window. I picked a single leaf off the vine and saw that, dependent upon the angle of light and the position of the leaf, I could see the most incredible texture and color through the leaf." Excited by this discovery, Griffith spent the next couple of days. …

Hardcover. Condición: New. Though trained as a biochemist, Christopher Griffith abandoned science to become a photographer. Yet in this gorgeously presented album he merges both interests, studying the very temporary state of fall foliage with an artist's eye. Griffith noticed that various light angles and backlighting of autumnal leaves on trees and vines could produce spectacular effects, and in his studio perfected the technique of capturing the complexity of the leaves' structures as well as their glowing colors, shooting them against deep black backgrounds. In 48 large color plates he presents North American leaves from white mulberry (Morus alba) to Canada moonseed (Menispermum canadense), many of them carefully transported from hundreds of miles away.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: New. The idea for Fall came to photographer Christopher Griffith while he was living in a Manhattan brownstone, finalizing the design for his first monograph, States (powerHouse Books, 2000). "It was mid-November," Griffith recalls, "and the ivy on the side of my building seemed to be literally glowing outside my window. I picked a single leaf off the vine and saw that, dependent upon the angle of light and the position of the leaf, I could see the most incredible texture and color through the leaf." Excited by this discovery, Griffith spent the next couple of days experimenting with how to capture it all onto film. That was four years ago. He has now perfected the technique of both photographing the foliage and getting them to his studio and on film before they wilt or turn brown, quite a feat as many of these fresh and delicate leaves were collected and transported personally by Griffith from hundreds of miles away. A hyper-macroscopic analysis of the color transformations characteristic of tree foliage in the Northeastern United States autumn, Fall features vivid and brilliant images of nature's gifts, which we often take for granted. Fantastically backlit, glowing colors are transmitted through the leaves, illustrating structural and textural elements of nature never before captured on film. For this former student of research biology, the project transported Griffith back to his early days of plant biochemistry, but this time as an artist, not a scientist. "When you look at a tree that is turning, it appears to have an overall uniformity of color," Griffith observes. "But it is only when you literally get into the tree and get personal with the individual components of that breathtaking color, that you see the truly astounding variety of that color transformation. For me, leaves are like snowflakes; no two are ever the same." Exhibition at The powerHouse Gallery, 68 Charlton Street, New York, October 21-November 20, 2004.…