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Añadir al carritoHardback. Condición: New. Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates.
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Añadir al carritoHardcover. Condición: new. Hardcover. Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates. An ambitious and original study with case studies focusing on the works of William Kentridge, Amalia Ulman, Melanie Gilligan, Ryan Trecartin and Elizabeth Price, Counter-realism shows the ways in which key features of contemporary art may be understood in relation to fundamental aspects of contemporary political and economic life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoHardback. Condición: New. Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates.
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Publicado por Manchester University Press, Manchester, 2025
ISBN 10: 1526190214 ISBN 13: 9781526190215
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Añadir al carritoHardcover. Condición: new. Hardcover. Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates. An ambitious and original study with case studies focusing on the works of William Kentridge, Amalia Ulman, Melanie Gilligan, Ryan Trecartin and Elizabeth Price, Counter-realism shows the ways in which key features of contemporary art may be understood in relation to fundamental aspects of contemporary political and economic life. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoHardcover. Condición: Brand New. 304 pages. 9.21x6.14x9.21 inches. In Stock.
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Publicado por Manchester University Press, Manchester, 2025
ISBN 10: 1526190214 ISBN 13: 9781526190215
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Añadir al carritoHardcover. Condición: new. Hardcover. Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates. An ambitious and original study with case studies focusing on the works of William Kentridge, Amalia Ulman, Melanie Gilligan, Ryan Trecartin and Elizabeth Price, Counter-realism shows the ways in which key features of contemporary art may be understood in relation to fundamental aspects of contemporary political and economic life. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Manchester University Press, 2025
ISBN 10: 1526190214 ISBN 13: 9781526190215
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Counter-realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates.
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Publicado por Manchester University Press, 2025
ISBN 10: 1526190214 ISBN 13: 9781526190215
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Añadir al carritoBuch. Condición: Neu. Counter-realism | Art and subjectivity in contemporary capitalism | Tamara Trodd | Buch | Englisch | 2025 | Manchester University Press | EAN 9781526190215 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.