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ISBN 10: 1501345907 ISBN 13: 9781501345906
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Añadir al carritoPaperback. Condición: New. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
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Publicado por Bloomsbury Academic 12/15/2022, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
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Añadir al carritoKartoniert / Broschiert. Condición: New. InhaltsverzeichnisAcknowledgementsIntroduction1. Mechanizing2. Performing3. Producing4. Expanding5. Justifying6. Networking7. OwningGlossaryTimelineBibliographyIndexKlappentext.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
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Añadir al carritoPaperback. Condición: new. Paperback. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. "The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc Dez 2022, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, US, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
Librería: Rarewaves.com UK, London, Reino Unido
EUR 28,64
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Añadir al carritoPaperback. Condición: New. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
Librería: preigu, Osnabrück, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. Owning the Masters | A History of Sound Recording Copyright | Richard Osborne | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Bloomsbury Publishing Plc | EAN 9781501345906 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
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Añadir al carritoPaperback. Condición: new. Paperback. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. "The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501345907 ISBN 13: 9781501345906
Librería: CitiRetail, Stevenage, Reino Unido
EUR 48,91
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Añadir al carritoPaperback. Condición: new. Paperback. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. "The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.