Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 194,93
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 195,49
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 218,22
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Idioma: Inglés
Publicado por Ashgate Publishing Company, 2013
ISBN 10: 1409464261 ISBN 13: 9781409464266
Librería: Majestic Books, Hounslow, Reino Unido
EUR 212,85
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Añadir al carritoCondición: New. pp. 280 8 Illus.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 204,41
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Añadir al carritoCondición: New.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 205,02
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Ashgate Publishing Company, 2013
ISBN 10: 1409464261 ISBN 13: 9781409464266
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 223,45
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Añadir al carritoCondición: New. pp. 280 Index.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 226,06
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Añadir al carritoCondición: New. In.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 253,13
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Añadir al carritoCondición: New. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers. Series Editor(s): Woolley, Dr Andrew; Smith, Professor David J. Series: Ashgate Historical Keyboard Series. Num Pages: 328 pages, Includes 9 b&w illustrations and 102 music examples. BIC Classification: AVRG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 180 x 26. Weight in Grams: 752. . 2013. Hardback. . . . .
Librería: Revaluation Books, Exeter, Reino Unido
EUR 314,09
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Añadir al carritoHardcover. Condición: Brand New. new edition edition. 299 pages. 9.49x6.18x1.02 inches. In Stock.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 323,48
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Añadir al carritoCondición: New. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers. Series Editor(s): Woolley, Dr Andrew; Smith, Professor David J. Series: Ashgate Historical Keyboard Series. Num Pages: 328 pages, Includes 9 b&w illustrations and 102 music examples. BIC Classification: AVRG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 180 x 26. Weight in Grams: 752. . 2013. Hardback. . . . . Books ship from the US and Ireland.
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 186,20
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Añadir al carritoBuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the 'workbench' of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period. 330 pp. Englisch.
Librería: moluna, Greven, Alemania
EUR 168,11
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Añadir al carritoGebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Andrew Woolley is a musicologist and performer with research interests in music of the seventeenth and eighteenth centuries, performance practice, and keyboard music. To date he has published several articles on British and Italian music of the late sevente.
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 230,15
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 239,78
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Ashgate Publishing Company, 2013
ISBN 10: 1409464261 ISBN 13: 9781409464266
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 235,30
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. PRINT ON DEMAND pp. 280.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 204,70
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the 'workbench' of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.