9781399507240 - The Eye of the Cinematograph: Lévinas and Realisms of the Body de Manafi, Keyvan (25 resultados)

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Hardcover. Condición: new. Hardcover. The Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure. Exploresthe encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the body Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New. 2023. Hardcover. . . . . .

Hardback. Condición: New. Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.

Hardback. Condición: New. Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

Gebunden. Condición: New. &Uumlber den AutorKeyvan Manafi completed his PhD in film and philosophy at the University of New South Wales, Sydney, where he currently works as an Arts academic programs advisor.KlappentextExplore.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.

Hardcover. Condición: Brand New. 240 pages. 9.21x6.14x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the body.

Hardback. Condición: New. Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.

Hardcover. Condición: new. Hardcover. The Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure. Exploresthe encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the body Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Brand New. 240 pages. 9.21x6.14x0.75 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.