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Añadir al carritoPaperback. Condición: New. More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
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Añadir al carritoPaperback. Condición: new. Paperback. More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions. This Element highlights significant changes in attitudes toward editing and emphasizes the critical role of editing within critical and textual theory, from selecting a base text to modernizing and emending. It addresses both practical editing steps and the theoretical foundations of editorial choices. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
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Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play ' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
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Publicado por Cambridge University Press, GB, 2026
ISBN 10: 1009405586 ISBN 13: 9781009405584
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Añadir al carritoPaperback. Condición: New. More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
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Publicado por Cambridge University Press, Cambridge, 2026
ISBN 10: 1009405586 ISBN 13: 9781009405584
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Añadir al carritoPaperback. Condición: new. Paperback. More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions. This Element highlights significant changes in attitudes toward editing and emphasizes the critical role of editing within critical and textual theory, from selecting a base text to modernizing and emending. It addresses both practical editing steps and the theoretical foundations of editorial choices. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
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ISBN 10: 1009405586 ISBN 13: 9781009405584
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Añadir al carritoPaperback. Condición: new. Paperback. More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions. This Element highlights significant changes in attitudes toward editing and emphasizes the critical role of editing within critical and textual theory, from selecting a base text to modernizing and emending. It addresses both practical editing steps and the theoretical foundations of editorial choices. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2026
ISBN 10: 1009405586 ISBN 13: 9781009405584
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Añadir al carritoTaschenbuch. Condición: Neu. Editing an Early Modern Play | Suzanne Gossett (u. a.) | Taschenbuch | Englisch | 2026 | Cambridge University Press | EAN 9781009405584 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.