9780952432234 - Royal Goldsmiths: The Art of Rundell and Bridge, 1797-1830 de Hartop, Christopher; Glanville, Philippa; Truman, Charles; Watkin, David; Scarisbrick, Diana; Winterbo... (37 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: very_good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Soft cover. Condición: Near Fine. Clean, unmarked, unread copy with lightly worn card stock slipcase. BP/Gold/Goldsmiths.

Paperback. Condición: New - Very Good. At the forefront of the era's conspicuous consumption and one of the most spectacular business successes of the early 19th century, Rundell & Bridge had an unrivalled stock of silver, jewellery, snuff boxes and other luxury goods. This richly illustrated volume, presented in a slipcase with a sale catalogue, provides expert commentary on a wealth of items from museums and private collections in the United Kingdom, United States, Canada and Australia.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

paperback. Condición: Very Good. John Adamson Pub 2005 First Edition; fine/like new unread Cover is fine condition clean tight and bright spine is smooth and not creased.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condición: new. Paperback. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell & Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell & Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell & Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust. The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pp. 168 150 Illus. (Col.).

Paperback. Condición: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.

Condición: new.

Condición: New. The partnership of Philip Rundell and John Bridge began in London towards the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewellers and medallists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style. Num Pages: 160 pages, 140 colour illustrations. BIC Classification: WCP; WCR; WFJ. Category: (G) General (US: Trade). Dimension: 224 x 301 x 23. Weight in Grams: 920. . 2007. Paperback. . . . .

Paperback. Condición: New.

Condición: New. In English.

Paperback. Condición: New. Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed and modelled silverware for Rundell and Bridge, the Royal Goldsmiths who served two monarchs - George III and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers, modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed in the decorative arts. The firm Rundell and Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797 and held the Royal Warrant until 1830. Yet Rundell and Bridge did more than promote innovative styles; they marketed new types of tableware.Despite the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France, such as those inspired by the surge of Egyptomania, but new customs of the tabletop. Tying in with an exhibition at Koopman Rare Art, London, the first ever to be devoted to the firm's achievement, the book shows the importance of the Prince Regent as a patron of goldsmiths and presents a fascinating portrait of London against the backdrop of the Napoleonic Wars. It features a wealth of magnificent silver and gold objects, snuff boxes, jewellery, medals and bejewelled swords from museums and private collections in the United Kingdom, United States, Canada and Australia. With a foreword by His Royal Highness The Prince of Wales, the book will be a valuable addition not only to art historical studies but also to the social and economic history of the period. Net proceeds of the sale of the book will benefit the Prince's Trust.

Condición: New. The partnership of Philip Rundell and John Bridge began in London towards the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewellers and medallists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style. Num Pages: 160 pages, 140 colour illustrations. BIC Classification: WCP; WCR; WFJ. Category: (G) General (US: Trade). Dimension: 224 x 301 x 23. Weight in Grams: 920. . 2007. Paperback. . . . . Books ship from the US and Ireland.

paperback. Condición: New. Special order direct from the distributor.

Condición: New. pp. 168.

Paperback. Condición: Brand New. illustrated edition. 168 pages. 11.25x8.50x0.75 inches. In Stock.

cm 22x30 pag. 168 ill. 237 col e b/n c.m. Londra Koopman Rare Art dal 14/06 al 01/07/05 Inglese.

Paperback. Condición: Brand New. illustrated edition. 168 pages. 11.25x8.50x0.75 inches. In Stock.

Condición: New. pp. 168.

Condición: Very good.

Condición: NEW.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Folio size softbound volume in near fine condition with 168 pages. No markings.