9780941680110 - The Graven Image: The Rise of Professional Printmakers in Antwerp and Harlem, 1540-1640 (10 resultados)

Soft cover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Quarto bound in stiff paper covers with dust jacket. B&W illustrations. As new in as new DJ. 203 pages.

Softcover. Condición: Fine. Estado de la sobrecubierta: Fine. Softcover with dust jacket. B/w illustrations, text in English. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 203 pp.

Large Softbound. Condición: Fair to Good. First Editiion.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condición: Fine. 1st Edition. No names, underlining, notes or highlighting. o4.

Soft cover. Condición: New. No Jacket. 1st Edition. Mary and Leigh Block Gallery, Northwestern University, Evanston, IL. 1993. Softcover/Trade Wraps. First Edition. Book is tight, square, and unmarked. Book Condition: New in publisher's vinyl wrapping. No DJ. Pictorial card stock wraps. Wraps are not bent or folded; spine is not creased or split; text is secure in binding. 203 pp 4to. The ninety prints in this exhibition catalog trace the evolution of several styles of engraving and etching over a crucial period. At the beginning of this time, engraving in Northern Europe was primarily a by-product of the goldsmith's workshop and the artist's studio. It's implications as a medium of reproduction were only beginning to be grasped, and the very idea of reproducing a work of art in another medium was scarcely defined. By the end of the period, engraving was the medium of choice for making reproductions of works of art in all media, and a range of styles had evolved that balanced reproductive fidelity, calligraphic virtuosity, and durability in the printing of an edition. This volume features three scholarly essays on the history of printmaking in the Netherlands and includes 116 b/w illustrations. Published in conjunction with an exhibition of the same title on view at the Mary and Leigh Block Gallery, Northwestern University, from May 6 through June 27, 1993. A clean new book. No Foreign or Priority shipments on this title.

Condición: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Soft Cover. Condición: Fine. Estado de la sobrecubierta: Fine. This is a fine softcover copy with a fine dustwrapper with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Mary and Leigh Block Gallery at Northwestern University from May 6 through June 27, 1993. The exhibition then traveled to the Ackland Art Museum, University of North Carolina, Chapel Hill in the early fall of 1993. Essays by Timothy Riggs, Larry Silver, and Walter S. Melion. Checklist with 91 prints catalogued. Illustrated in black & white. 11" high X 8" wide, 203 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Soft cover. Condición: Fine. 4to (28.5 cm), XII, 204 pp. Printed wrappers and dust jacket (minor shelf-wear, bookplate). Published in connection with an exhibition of the same title on view at the Mary and Leigh Block Gallery, North-Western University May 6 - June 27, 1993.

Hard Cover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. 1. Published in conjunction with an exhibition of the same title on view at the Mary and Leigh Block Gallery, Northwestern University, from May 6 through June 27, 1993, and the Ackland Art Museum, University of North Carolina, Chapel Hill, from August 15 through September 26, 1993.Includes bibliographical references. 4to 11" - 13" tall. 203 pp.